Showing posts with label gender. Show all posts
Showing posts with label gender. Show all posts

Friday, November 4, 2016

85.
Title: [Dark Night]
Author: Paul Dini
Genre: Graphic memoir
Medium: Hardback
Acquisition: purchased
Date Completed: October 2016
Rating: **

To call this a "True Batman Story" is figurative, and does the job of disguising the genre through the application of the author's profession. The book describes, as promised, a dark night, and the author's brutal and violent beating that left him physically devastated and emotionally crippled. The author, it happens, was a writer for the then-running Batman cartoon, and in his ennui he struggles with why his favorite fictional property "wasn't there." In his own mind, the author retreats to a society of cartoon and comic characters, using dialogue to try to work through his own psychological trauma and depression. The characters appear, but are not themselves, looming familiarly but unfamiliarity, as they are imagined by one of their authors, but represented for his sole purpose.

His experience is a terrible one, and the therapeutic power of the creation of the book is undeniable. He writes that he hopes his story may give others hope, who may identify with his life or experience. As a reader who does not, I felt badly for his experience, but found the book as a whole indulgent and of little personal value.

86.
Title: [Fashioning Gothic Bodies]
Author: Catherine Spooner
Genre: Fashion and Literary Theory
Medium: Hardback
Acquisition: Library
Date Completed: October 2016
Rating: *****

As amazing as I find this book, I won't be able to properly review it until long after my comprehensive exam (in which it features heavily) ... which begins tomorrow.

87.
Title: [Dress Culture in Late Victorian Women's Fiction]
Author: Christine Bayles Kortsch
Genre: Fashion, Gender, and Literary Theory
Medium: Hardback
Acquisition: Library
Date Completed: October 2016
Rating: *****

Equally as amazing as Spooner, equally as important, with the same looming deadline that leaves me unable to write anything but my exam answers.

88.
Title: [Hidden Destiny]
Author: Carrie Ann Ryan
Genre: Supernatural Romance
Medium: Kindle E-book
Acquisition: Purchased
Date Completed: November 2, 2016
Rating: ***

Still in social and intellectual recovery from October, I said to a friend on Wednesday that "what I really need is a smutty novel and a bath bomb."  And then I immediately looked up a series I had read once-upon-a-time, and had a relaxing soak.

 
89.
Title: [Tattered Loyalties]
Author: Carrie Ann Ryan
Genre: Supernatural Romance
Medium: Kindle E-book
Acquisition: Purchased
Date Completed: November 3, 2016
Rating: ***

And then, even though the last one wasn't really that great, I downloaded another, which kept me occupied while I stood in line for early voting.


Tonight I'm working on the introduction of my dissertation prospectus, and then plan to treat myself to [Bodies], which arrived today, and looks to be very promising.

Saturday, May 7, 2016

As I prepare for my final term paper I realized that I hadn't yet posted some of my independent study readings.

39.
Title: [The Woman in White]
Author: Wilkie Collins
Genre: Victorian Gothic
Medium: Broadview Paperback
Acquisition: Victorian IS Reading
Date Completed: Spring 2016
Rating: ******

Wilkie Collins' The Woman in White is a wonderfully gothic sensation novel, rich in themes of morality, madness, deceit, and romance. Walter Hartright (heart - right) is engaged as a drawing instructor in a wealthy country household, and, predictably, falls in love with the beautiful sister, Laura.  Thematically consistent is Laura's standing engagement to the reprehensible Sir Percival Glyde, to whom Laura promises herself at her father's deathbed, and to whom she is married in the early course of the novel.  Glyde is not what he appears to be, and his repugnant characteristics reveal themselves as a mysterious young woman, Anne, makes herself known as a one-time childhood companion of Laura, devotee to Laura's late mother, and keeper of a secret that threatens Glyde in some mysterious way.  Though many of these narrative devices and themes are consistent within the genre, to the point of near-cliche, Collins masterfully builds mystery and suspense, serving his readers both what they expect of the material, while using strong characterization to heighten the reader's engagement with the narrative.  The reader will shrink from Glyde, mistrusting his actions, and feeling anxiety over Laura; though traditionally pathetic, Laura's strong character allows for a level of sympathy occasionally denied heroines her her position; Count and Countess Fosco are perhaps even less trustworthy than their friend and host, Gylde, and loom ominously around the edges of the narrative, and so forth.  That the romantic lead Walter is a shallow wash of a character does not hinder the plot, but rather allows for the substitution of one's own romantic figure in his place, allowing a personal entry into the narrative for maximum fantasizing.

For my own purposes and writing, Anne is the most engaging character, and her relationship to Laura provides a point of fascination.  The titular "woman in white," Anne is both phantom and fleshly, represented as slightly mad and therefore less trustworthy, but a keeper of some of the most extraordinary knowledge in the novel.  In reading the material construction of identity, I am struck by the other characters' reading of her blanched wardrobe, and its purported significance, not so far from a time when such choices would be fashionable and romantic.  Significant, too, is her status as a doppelganger, and the machinations surrounding this pot device.  I find it difficult to go further without spoiling the mystery of the novel, but promise to make good use of these points in my final semester writing.

Highly recommended for fans of the Victorian or the Gothic.

40.
Title: [The Odd Women]
Author: George Gissing
Genre: Victorian
Medium: Broadview Paperback
Acquisition: Victorian IS Reading
Date Completed: Spring 2016
Rating: ****

The position of women in nineteenth-century England cannot be over-exaggerated: they are victimized at every level of society, and have to fight extraordinary social and political battles to attain even the most basic rights. Gissing's The Odd Women works to illustrate society's failure in relation to unmarried women specifically, Gissing's "odd" women being the "redundant" women of Rathbone's lamentation.  The novel opens with the orphaning of the Madden sisters, daughters of a physician of various ages and levels of education, none of whom are prepared for self-support.  When Dr. Madden's untimely demise leaves the girls to fend for themselves they, as a rule, fail, and the novel follows the regrettable existence of half of these daughters, along with their bluestocking friend, Rhoda.  The text works hard to reveal social ills, and to illustrate the efforts being made to rectify these shortcomings.  Critically, Gissing's work feels extraordinary, and is a significant critique that belongs on any introductory English or gender studies syllabus.  Personally, I did not enjoy the text; the Madden sisters in their poor state are wooden ad monochromatically pathetic, and so while I lament greatly their position my emotional response comes wholly from my own historical research rather than the narration of the sisters themselves.  Similarly, I found Rhoda to be exceptionally abrasiveness, and while I enjoy her position, and can laugh at some of her extremist views, I found her to be ineffective for my own current position. Final thoughts: important and useful social text, but not necessarily an engaging personal read.

Tuesday, April 26, 2016

32.
Title: Student Research Papers
Length: Over 215 pages
Date Completed: April 21, 2016


33.
Title: [The Island of Doctor Moreau]
Author: H.G. Wells
Genre: Scientifc Romance
Medium: Penguin Paperback
Acquisition: Work Text
Date Completed: April 25, 2016
Rating: *****


34.
Title: Selections from [A Question of Manhood]
Author: Various
Genre: History/Masculinities
Medium: Paperback
Acquisition: IS Final Reading
Date Completed: April 24, 2016
Rating: ****

My chapter choices from A Question of Manhood were directed by personal interest, potential use value for my present project, or the possibility of importance for my ever-looming dissertation. They cover several areas of interest relating to my work, including law and gender, courtship, cultural history, and bodily performance.  The first, “For Justice and a Fee: James Milton Turner and the Cherokee Freedmen,” considers an historical conflict of which I knew literally nothing – a dispute over land and tribal rights for the freed African American slaves held by the Cherokee Nation.  In this chapter, Gary Kremer tells of a nation within a nation, governed by four social contracts and two governing bodies, and negotiating a system of rights with no precedent.  The Cherokee Freedmen want tribal rights and a fair share of land and monies given by the government; the Cherokees who once held the slaves deny their rights to either, and James Turner, an outsider, takes up their mantle and fights with the federal government for their intervention.  The whole political and social conflict is nuanced and downright messy, and each decision as the potential to set dangerous precedent.

“Black Policemen in New Orleans During Reconstruction” by Dennis Rousey shares the history of just this – African American men serving in a professional police force at a time when arming their community causes alarm and authority between races is tenuous. Rousey asserts that “The Crescent City’s antebellum tradition in race relation was probably unique,” citing legal circumvention supported by white “employers, policemen, grogshop keepers and professional criminals” for their own purposes and a large Northern population influencing race relations (98). Rousey acknowledges that it is striking to have black officers at all, and further surprising to see them given authority over white citizens, and to see them armed, but that “it became important for the police force to become a microcosm of the whole … community” (99). \

“The African Derivation of the Black Fraternal Orders in the United States,” was not quite what I expected it to be, but rather an explication of the practices and organization of the Independent Order of St. Luke as compared to the social organizations of the Efik and the Igbo of West Africa, justifying the comparison by drawing connections between the American slave trade and these African communities.  The chapter itself is a methodical point-by-point analysis of rituals and cultural symbolism, with the goal of breaking the assumption of European heritage in fraternal orders, and illustrating how this American order can in fact be connected to the African communities from which members (or their forefathers) were taken.

Of greatest personal interest were the chapters on courtship and Jackson.  In “The Courtship Letters of an African American Couple,” Vicki Howard turns to primary correspondence to evaluate the negotiation of marriage between nineteenth-century African American couples, as they negotiate their roles according to both their own communities (what Howard calls “Black Victoria) and the nineteenth-century cult of Womanhood. The project itself is problematic for its one-sidedness, and the constant necessity of assumption that comes into play when looking at only half of a correspondence (Lucia’s letters have not been saved, while she kept the letters she received from Calvin).  A source of discord between the courting couple is Lucia’s desire to continue her education as a teacher, and then to exercise that education professionally; Calvin, also a teacher, initially rejects both desires in deference to the Victorian middle-class cult of womanhood, but eventually yields to Lucia’s desires in order to secure her hand in marriage.  Howard speaks of power in this relationship, showing how most belongs to Lucia before they are married, and how Calvin is quick to negotiate when he believes there is a contest for Lucia’s hand.  For Lucia’s part, Howard identifies her assertions and desires as exemplary of Black Victoria – a moral but industrious woman who finds fulfillment not just in the home, but in actual occupation that in turn helps to build and support the community.

The final chapter, “Peter Jackson and the Elusive Heavyweight Championship: A Black Athlete’s Struggle Against the Late Nineteenth Century Color-Line” follows the professional career of Peter Jackson from his youth as a sailor to his success as a boxer, and the difficulties he faces in his professional progress due to his race.  A superior athlete who first makes his name in Australia, Jackson travels to the United States in order to challenge the title-holder of Heavyweight Champion of the World; John L. Sullivan refuses to cross the color line and meet Jackson in the ring, as do all of the subsequent challengers, literally blocking Jackson from even the chance of gaining the title for himself.  David Wiggins details Jackson’s failures with his successes in the ring, narrating his constant and easy successes  - and illustrating just why white boxers were afraid to fight him. None wanted to be the champion to lose the belt to him.  That Jackson is powerful, skilled, and practiced is never drawn in to question; rather, each rejection is clearly articulated as an upholding of the color-line.  Jackson’s failure to achieve the title is not his own, but rather the last front against which these white athletes can uphold their artificial sense of superiority.

Tuesday, March 29, 2016

The following notes will serve as annotations on a master bibliography I intend to use for my comprehensive exams this fall.  I'm offering them here a) to keep track of them and b) to recognize all that I'm reading this semester, even if it's not a formal "book" this week.

20.
Selections on gender from [Victorian Prose] (ed. Leighon and Surridge) and  [Victorian Prose] (ed. Mundhenk and Fletcher).

Leighton, Mary Elizabeth and Lisa Surridge.  The Broadview Anthology of Victorian Prose: 1832-1901.  Ontario: Broadview Press, 2012. Print.
Mundhenk, Rosemary J. and LuAnn McCracken Fletcher.  Victorian Prose: An Anthology.  New York: Columbia University Press, 1999. Print.

Bodichon, Barabara Leigh Smith. "from A Brief Summary, in Plain Language, of the Most important Laws Concerning Women; Together with a Few Observations Thereon. Leighton and Surridge. 292-8.

A general understanding of the laws which governed the rights of women in nineteenth-century England does not stand to an actual explanation of their place in the legal system.  Married women are, very literally, non-persons in the eyes of the Victorian government, instead existing as extensions of their husbands who have full legal rights over their persons, offspring, property, and production.  "A man and wife are one person in law; the wife loses all her rights as a single woman, and her existence is entirely absorbed in that of her husband" writes Bodichon, a suffragette and activist.  She goes on to detail in her summary the legal justification for marital rape, how no man is obliged to "support his wife" (despite her inability to autonomously support herself 0 294), how she owns not even her own clothing (293), and how she maintains no custody over her children (294). Bodichon further laments that divorce is a luxury for the wealthy patriarch, and in her "Remarks," uses strong language which describes even the most capable of women as "infants" under the care of their husbands (296), the legal robbery at their hands, and the general abuse supported by the system. These are the tumultuous politics which inspired the political movements discussed in The Politics of Gender in Victorian Britain.


Ellis, Sarah Stickney.  "The Women of England, Their Social Duties, and Domestic Habits. Victorian Prose. Mundhenk and Fletcher. 53-7. AND Leighton and Surridge 288-92.

According to the editors of the volume, Ellis is one of the central figures responsible for the formulation of the gendered "spheres" for which Victorians are so well known.  Author of The Daughters of England, The Mothers of England, The Wives of England, and others, Ellis' writing seeks to direct readers in the proper formulation and execution of gender in support of a culturally-forwarded system of morality and propriety.  In this selection Ellis is directly equating the morality of women with the morality of English, which she posits is superior to that of other countries. In the Broadview edition, there is an emphasis on the actual influence of women, as Ellis chastises women who claim they have none.  She asserts, "Have they not bound themselves by a sacred and enduring bond, to be to one fellow-traveller along the path of life, a ... guide and a help...? ... Above all, have they not, many of them, had the feeble steps of infancy committed to their care - the pure unsullied page of childhood presented to them for its fist and most durable inscription? - and what have they written there? ... It is therefore not only false in reasoning, but wrong in principle, for women to assert ... that they have no influence"" (290). It is for this influence, then, that Ellis argues in the Mundhenk excerpts, for the exercising of female morality in the improvement of England.


Greg, William Rathbone. “Why Are Women Redundant?” Mundhenk and Fletcher. 157-63.
According to editors, Greg’s “Why Are Women Redundant?” is published in The National Review in 1862 in response to the 1851 census which identifies a large population of women between twenty and forty who are not married.  As it is considered the duty of a moral middle class to marry and produce children, the number of unmarried women is identified as a threat to middle class values and expectations, and thus a problem to be solved.  Greg’s solution, then, is exportation – the emigration of single women to the colonies which has drawn away large numbers of single men. “Hundreds of women remain single in our distorted civilization because they have never been asked at all,” Greg asserts, and thus wishes to place them in a positon where they may be asked.  Evident in his analysis is the material status of women in Victorian culture – he wishes to export a surplus like so many goods, in order to balance the moral and social economy of his country.


Mill, John Stuart.  "The Subjection of Women." Mundhenk and Fletcher. 121-31.
Mill’s seminal essay begins succinctly with the assertion of “an opinion which [he has] held from the very earliest period when [he] had formed any opinions at all on social or political matters … That the principle which regulates the existing social relations between the two sexes – the legal subordination of one sex to another – is wrong in itself, and now one of the chief hindrances to human improvement; and that it out to be replaced by a principle of perfect equality, admitting no power or privilege on the one side, nor disability on the other” (122). His support is a reading of culture and history which demonstrates that the way things “have always been” is not necessarily the right way to do things – that “the adoption of this system of inequality never was the result of deliberation, or forethought, or any social ideas, or any notion whatever of what conduced to the benefit of humanity or the good order of society” (123) – essentially, that the subordination of women is literally senseless. He attacks the reasoning of a powerful majority by alluding to slavery, and that this abhorrent system is maintained as “a matter of compact among the masters” for their own good, and not the good of the whole. He associates the place of nineteenth century women with this form of bondage by further stating that “it is the primitive state of slavery lasting on” (123), and moves forward to demonstrate that the state of women is not natural, as some politicians claim, but the result of male sentimentality and fear.  He argues that in a culture seeking to move forward and evolve as exemplary the state of one women is backwards, and that their legal status is (negatively) unique “in modern legislation” (128). Of the calls for maintenance Mill says that one cannot truly know women because they do not yet have the rights and education to express themselves as thoughtfully and completely as men – that they’ve been denied the powers of full representation, and thus a reading of the female character is an imperfect analysis of an external, limited reader.  There is a great deal here useful for the understanding of Victorian culture as a whole, and gender politics specifically.


Nightingale, Florence. "from Suggestions for Thought to the Searchers after Truth among the Artizans of England: Volume 2, Section 5: Cassandra." Leighton and Surridge 298-300.

In excerpts from "Cassandra" in both anthologies, Nightingale uses the language of dreaming, blessings, and saviors to argue for the necessity of offering women full educations in support of their moral, intellectual, and social development. She speaks of women mourning opportunities they never have, and how dreams and thoughts are crushed by the cultural system which denies them the educational opportunities of men.  She says women are "petrified into stone ... chained to the bronze pedestal" when, with education, "woman will be the Saviour of her race" (299). Restriction to the domestic sphere kills the ideal philosophical life of the woman, and that "Men are afraid that their houses will not be so comfortable, that their wives will make themselves 'remarkable'" actually makes women "recoil" from domestic expectations - that, in fact, restricting women so vehemently is a greater threat to these gender spheres than educating women may be.


Norton, Caroline.  “A Letter to the Queen on Lord Chancellor Cranworth’s Marriage and Divorce Bill.”  Mundhenk and Fletcher. 143-55.

Caroline Norton’s unfortunate social and legal position serves as an exemplary case of the abuses of the gendered system of law.  In “A Letter to the Queen” she considers the absurdity of her own non-existence in the eyes of the law, as a citizen of a country until the rule of a queen.  Many of her complaints are echoes of the other reflections on the unfortunate position of gender, with the additional ethos of a woman who has been directly harmed by this legal imbalance.  She writes, for example, that “An English wife has no legal right even to her clothes or ornaments … her husband … is not bound to [maintain] her … As her husband, he has a right to all that is hers: as his wife, she has no right to anything that is his” (146-7).  Like Bodichon, Norton reflects that divorce is a luxury for the wealthy, and that lower classes are still ignorant of their rights and obligations.  Her rhetoric maintains much of the tone of Ellis, as she says, “The natural position of woman is inferiority to men. Amen! That is a thing of God’s appointing, not of man’s devising” (150), but begs the law to take consideration of men who are themselves tyrannical: “do not leave me to the mercy of one who has never shewn me mercy” (151). She seeks not superiority, she says, but the legal right of autonomy – to protect herself.  Her sentiments are just the sort that are described in The Politics of Gender - a call to the government (patriarchy, really) to allow women protection under that patriarchy from individual deviant husbands.


Ruskin, John.  "Lecture 2: Lilies: Of Queen's Gardens." Leighton and Surridge 301-9.

Ruskin's famous lecture on women's education falsely asserts that women are queens of their own domestic spheres in order to maintain that men and women are separate-but-equal in the present system. He scoffs at the idea that man "could be helped effectively by a shadow, or worthily by a slave!" and thus "We are foolish, and without excuse foolish, in speaking of the 'superiority' of one sex to the other, as if they could be compared in similar things" (302). Throughout the lecture he suggests that women's "intellect is ... for sweet ordering, arrangement, and decision," that she's naturally intellectually inclined to the ordering and maintenance of a peaceful and comforting household, and that "within his house, as ruled by her, unless she herself has sought it, need enter no danger" (302). He maintains that women should be educated similarly to men, that they can understand the woes of their husbands, communicate domestic and "sweet" ideas to others in their native tongues, and generally to know "whatever her husband is likely to know ... for daily and helpful use" (304). Thus, a woman's education should be pursued as a boon to her husband, to make her a better helpmate.

Several interesting pronouncements are made within the lecture which are worthy of their own consideration, including: "You bring up your girls as if they were meant for sideboard ornaments, and then complain of their frivolity" (304); "You do not treat the Dean of Christ Church or the Master of Trinity as your inferiors" (and so should not treat governesses in this way - 305); "There is not a war in the world, no, nor an injustice, but you women are answerable for it; not in that you have provoked, but in that you have not hindered" (307).


Ward, Mary Arnold (Mrs. Humphry).  “An Appeal Against Female Suffrage.” Mundhenk and Fletcher. 417-422.

In an address signed by 104 female anti-suffragettes, Ward ardently defends the status quo and the relinquishing of rights, decisions, and power to the male sex in support of female decency and morality. Citing “natural” differences between men and women which render women less capable to make political decisions, such as their “natural eagerness and quickness of temper” (419), Ward maintains that women have all the influence they can handle, thank you very much, and their inclusion in “foreign or colonial policy, or of grave constitutional change” would be disastrous as compared to the “sound judgment” of men (419). Several points, however, signify greater cultural judgment as inspiration for the appeal. For example, point three warns that “If votes be given to unmarried women on the same terms as they are given to men, large numbers of women leading immoral lives will be enfranchised on the one hand, while married women, who, as a rule, have passed through more of the practical experiences of life than the unmarried, will be excluded.”  But, she continues, giving married women the same vote will be too great of an upset to “family life … which have never been adequately considered” (420). Giving women the vote is “demoralizing” and indicates “a total misconception of woman’s true dignity and special mission” (421).

Saturday, February 20, 2016

12.
Title: [Manliness & Civilization: A Cultural History of Gender and Race in the United States, 1880-1917]
Author: Gail Bederman
Genre: Masculinity Studies
Medium: Paperback
Acquisition: IS Book 3
Date Completed: February 20, 2016
Rating: ***1/2


The concluding remark of Gail Bederman’s Manliness and Civilization is thus: “This study suggests that neither sexism nor racism will be rooted out unless both sexism and racism are rooted out together” (239), articulating the thesis which connects the previous readings of Ida B. Wells, G. Stewart Hall, Charlotte Perkins Gilman, T. Roosevelt, and Tarzan. These rhetor’s, Bederman asserts in her introduction, articulate the various “remakings” of masculinity in America at the turn of the century, each considering the role of civilization, race, and gender in defining ideological manhood. Central to the text is the interconnectivity of race and gender, echoing the “othering” likewise central to Kimmel, and the class divide demonstrated by MPs in Griffin.

Bederman’s introduction begins with a literal fight, between Jack Johnson and the “white hope” Jim Jeffries, and the cultural and journalistic violence that erupts when Johnson wins the heavyweight match. Johnson’s performances illustrate warring masculinities, and well introduces Ida B. Wells’ efforts against lynching culture and the figure of the primal rapist, which becomes central to the entire volume. Writes Bederman, “Lynching, as whites understood it, was necessary because black men were uncivilized, unmanly rapists, unable to control their sexual desires” (46).

Chapter one on “Remaking Manhood” defines expectations of manhood versus masculinity at the turn of the century, detailing the struggles between men and feminizing civilization, the women’s movement, and savages. Biology and evolutionary theory are used to argue that Anglo-Saxons are more evolved, and therefore better suited to power and gender constructions; “savage” races lack strong gender distinctions, therefore marking their inferiority. The White City and the World’s Fair become a strong backdrop for their historic construction, as races and gender are strictly and literally regulated in the organization of the event; to add to this history I’d like to bring up H. H. Holmes, the “first” American serial killer who took advantage of the spectacle of the fair as he murdered women and sold their remains as skeletal medical specimens.

The second chapter details the efforts of Ida B. Wells and her anti-lynching campaign, in which she rejected the horrific image of the “Negro rapist” (48). In her campaign, Wells compellingly asserts that white lynchers are less evolved and less mainly for their savage violence, proving their black victims are superior in gender and culture (58, 59, 73). Gender is crucial to both sides of this discourse, as definitions of manliness are at stake, in direct relation to the violation or protection of femininity (specifically, white womanhood).

Unfortunately, Wells’ efforts fail, as chapter three and the discussion of G. Stanley Hall demonstrates. As a researcher in education, Hall advocates for savage boyhood as a cure for the white cultural ailment of neurasthenia. Hall subscribes to the belief of recapitulations, and his work seeks out the “super-man” – he who demonstrates the cultural and intellectual superiority of the Anglo-Saxon, and draws on the physical health and strength that comes from a “Savage” youth encouraged in violence and untamed physical exertion. In Bederman’s reading of Hall I see Kimmel’s aggressive American masculinity, and the prizing of the capacity for brutality that continues today.

Though the writing is highly repetitive, I find these first chapters to be thoughtful and compelling, and can well place Bederman’s reading in larger gender discourses of which I’m aware. The following chapter on Gilman though, is deeply problematic. Specifically, Bederman’s readings of Gilman’s experiences with Dr. Mitchell and the rest cure. According to Bederman, Gilman is diagnosed with neurasthenia following her marriage, for which Dr. Mitchell prescribes the infamous rest-cure. Bederman forces this history into her own narrative, failing to identify the malady as post-partum depression, Gilman’s maternal experiences, her violent rejection of the treatment, and her literary attacks on Dr. Mitchell, to whom she sends a copy of “The Yellow Wallpaper.”  This short story goes far in discrediting the rest cure, but does not fit Bederman’s readings of neurasthenia, and so is left out. From my perspective this feels careless, and leads me to question conclusions about which I am less familiar. That said, the racial/gender binaries which Gilman forwards are both shocking and historically grounded, and she thus serves as a persuasive example of American feminism’s contentious relationship with racial minorities.

The conclusion, focusing on Tarzan and drawing on Roosevelt’s performative masculinity from chapter five, marries each of these chapters to show they are not disparate ideas, but a larger rewriting of turn-of-the-century masculinity. And it is here that most of my discussion points focus, as I’d like to consider Tarzan of the book, Tarzan as a Disney character, and manhood as performed for contemporary children. I’d also like to go back and think of Jack Johnson in light of the development of the whole, and H. H. Holmes of Devil in the White City.