27.
Title: The Nigger's Opera; or, The Darkie That Walked in Her Sleep and accompanying historical context in Broadview edition
Author: William Brough, for Christy's Minstrels
Genre: Drama
Medium: [The Broadview Anthology of Nineteenth-Century British Performance], ed. Tracy C. Davis
Acquisition: IS Primary Source
Date Completed: April 9, 2016
Rating: ***

With such an inflammatory title, Brough's The Nigger's Opera requires historical context, though even Davis' thoughtful work cannot dissipate the discomfort of either title or theatrical rhetoric.  Thoroughly fascinated by "the primitive other," Victorians have a history of appropriation and exploitation both, which they pursue under the guise of their racial and cultural superiority, and with the assumption that they are benign benefactor's whose mission, as a people chosen by God, is to civilize the world in their own moral image.  Of course, the actual practice of these morals is questionable, but that's a different subject for discourse. Here, it is relevant to introduce the subject of the "minstrel," or native musical performances such the British found "pleasing yet 'primitive'" (265).  According to Davis, the minstrel performances at Christy's, which introduced actors and actresses in evening clothes and blackface, parodying more serious works of the day, were viewed as wholesome and appropriate entertainment for families; she quotes a February 1862 Morning Chronicle which asserts that the musical performances "are utterly devoid of coarseness or vulgarity, and would not be out of place even in the drawing-room of the most fastidious." Davis further describes the cultural response to this phenomenon when she asserts that "In England, blackface impersonators alluded to a distance culture, separated from English rule for several generations, preserving practices rejected by British law in 1833 and detested long before. ... in Britain Christy's specific brand of it was scrupulously decorous family fare" (266).  Questions of content, representation without passing, costuming and makeup, and a whole host of other artistic and cultural influences speak to a modern understanding of the phenomenon, which Davis well presents to readers.

The content of Brough's actual work is as shallow as one might expect. The footnotes relate that this is a "Burlesque of La sonnambula composed by Vincenzo Bellini," and further connect the plot to the original in subsequent annotations. At the heart of the story is a trivial misunderstanding worthy of a Shakespearean romance: Dinah, the principal, is about to be married, but her suitor rejects her after finding the young woman in the rooms of Dolphus, "a heavy swell of color according to his own account a count being empowered by Royal Italian Opera license to change his name to Rodopho." There are significant literary allusions made, such as Jim' statement "I could act Othello's part!" (297), songs sung, and an easy resolution found when Dolphus and Jim together see Dinah sleepwalking, explaining her previous actions (and the title of the play). Not unlike my recent reading of Moore, I did not enjoy Brough's plays. However, I am glad for their inclusion in this anthology to extend my awareness and understanding of theatre in the nineteenth-century, particularly of a genre that I assumed was wholly American.



28.
Title: The Gypsy Maid
Author: William Brough, for Christy's Minstrels
Genre: Drama
Medium: [The Broadview Anthology of Nineteenth-Century British Performance], ed. Tracy C. Davis
Acquisition: IS Primary Source
Date Completed: April 10, 2016
Rating: ***

The Gypsy Maid is Burough's burlesque of The Bohemian Girl by Michael William Balfe, and trades on word play to examine race, class, performance and identity. A Count's daughter disappears, for whom he weeps for twelve years before her miraculous reappearance as a gypsy maid (another subjugated class, as Davis says on page 313 that "Until 1856, Gypsies were enslaved in what is now Romania"), and marriage to a "swell" who disguises himself as a gypsy. The plot is even less satisfying than the previous, but offers more intriguing representations of social demarcations and boundaries that speak both to the specifics of the plot and the more general of nineteenth century British life.

6.
Title: [Medea]
Author: Euripides
Genre: Drama
Medium: Kindle
Acquisition:
Date Completed: January 16, 2016
Rating: *****

Euripides' Medea, first performed in 431 BCE, is a drama revealing the lethal consequences of abandonment and jealousy, following Jason's preferment of his new bride, the daughter of Creon, over his former wife, the titular Medea.  Though the play can be easily appreciated without familiarity with the general mythology (as I myself approached it), Medea has a longer narrative in Greek mythology than that of Euripides' drama. In the play, Medea seeks revenge against both Jason and Creon for her current abandonment in a gendered cacophony of spite, manipulation, a woman's method of murder (poison), and magic. It is a complicated meditation on the idea of atonement and punishment, and the tenuous position of the forgotten wife.  Though Jason is, to modern readers, clearly in the wrong, the character of Medea is complicated, as her actions may prevent contemporary readers from sympathizing with her plight, while opening the character as a fascinating object of study for gender and agency.

I reread Medea specifically to inform a reading of another text, and it lost none of its fascination in a second reading.

No Cover Art!

15. 
Title: [The Redwood Pack: Volume 3]
Author: Carrie Ann Ryan
Genre: Paranormal Romance
Medium: Kindle
Acquisition:
Date Completed: February 11, 2014
Rating: ***

16.
Title: [The Redwood Pack: Volume 4]
Author: Carrie Ann Ryan
Genre: Paranormal Romance
Medium: Kindle
Acquisition:
Date Completed: February 13, 2014
Rating: ***1/2

17.
Title: [Othello]
Author: William Shakespeare
Genre: Drama
Medium: Paperback
Acquisition: Work Text
Date Completed: February 13, 2014
Rating: ****1/2

I will always read the part of Iago in the voice of Kenneth Branaugh, which makes the play that much more enjoyable. 

78.
Title: [Night of the Living Deed]
Author: E.J. Copperman
Pages: 336
Genre: Cozy Mystery
Medium: Paperback
Acquisition: Library Book
Date Completed: November 17, 2013
Rating: **1/2

A (bitter) divorcee and her young daughter buy an old Victorian on the Jersey shore with the hopes of running a sustainable guesthouse, and soon find that the previous owner and a detective haven't quite made a full exit.  As a whole, the novel is one-dimensional, and there is no shred of sympathy to be had for any of the characters.  I was hoping for another crossover between my favorite genres, but this series will not be it. 

79.
Title: Student Essays
Author: 114 Students
Pages:  1,500
Genre:
Medium: Electronic
Acquisition:
Date Completed: November 21, 2013
Rating:


80.
 Title: [The Importance of Being Earnest]
Author: Oscar Wilde
Pages: 
Genre: Drama
Medium: Paperback
Acquisition: Work Text
Date Completed: November 15, 2013
Rating: ****1/2

This was my first semester teaching The Importance of Being Earnest, and my first time in a long while teaching Wilde.  Generally, my students had been complaining about the number of tragedies we read, and most appreciated a turn to comedy.  It went over fairly well, and I focused on an argument of vanity as part of our class analysis, emphasizing that the characters are essentially replicas, that all speak in the voice of Wilde, and that the work is an expression and act of vanity in itself. It was very interesting to read it in the context of his immediate trials, too. 

81. 
Title: The Norton Anthology of Short Stories, [The Oxford Book of Essays], Literature: An Introduction, Pratchett, Roach, and a Poe in a Pear Tree. 
Author: Several
Pages:   38 short stories and articles, 16 poems, misc. chapters on grammar and rhetoric
Genre: Varied
Medium: Electronic
Acquisition:
Date Completed: November 27, 2013
Rating: 

82. 
Title: [No Way to Kill a Lady]
Author: Nancy Martin
Pages: 368
Genre: Cozy Mystery
Medium: Paperback
Acquisition: Library
Date Completed: November 24, 2013
Rating: ****

When dynasties fall, colorful characters - and deeds - come out of the woodwork.  In No Way to Kill a Lady the reader is treated to a skeezy cousin, a crumbling castle, and a body in an elevator.  This is one of the more compelling mysteries in the series, with satisfying family melodrama to accentuate a rather curious murder victim. 

83. 
Title: [Little Black Book of Murder]
Author: Nancy Martin
Pages: 384
Genre: Cozy Mystery
Medium: Hardback
Acquisition: Library
Date Completed: November 25, 2013
Rating: ****

The most recent book in the Blackbird Sisters mysteries is a bit of a mixed bag.  There is conflict in Nora's job that challenges the suspension of disbelief, and creates a position greater for her than one could believe she has.  However, Martin offers wonderful personal resolution on several fronts, making the novel satisfying in the long run.  

84.   
Title: [Mistresses: A History of the Other Woman]
Author: Elizabeth Abbott
Pages: 512
Genre: Nonfiction, memoir
Medium: Hardback
Acquisition: Library
Date Completed: December 10, 2013
Rating: **

 From the title, I assumed it would be a history of the position of mistresses, looking at laws, social expectations, and the changes in affairs throughout history.  Abbott does address much of this, but through encyclopedic memoirs of historically known mistresses.  What begins as an enthralling look at the lives of women who, by choice or (more often) force, find themselves in the beds of married or emotionally unavailable men, becomes as odious as the mechanical sexual chores by the time Abbott reaches Hitler - and there's still another half to go.

Though I have no qualms with the research, which seems thoughtful and as complete as it can be, Abbott's writing is sophomoric, as she uses repetitive catchphrases to describe the same individuals (for example, repeatedly calling Jackie Kennedy "the world's most eligible widow" in the space of a few pages).  The text systematically dismisses wives - unless they becomes mistresses themselves - and shows little sympathy for the men in these relationships, unless it is to reveal them as foolish for their parts in the affairs. 

These stories - from Hagar to Eva Braun, through Marilyn Monroe and on to Simon de Beavoir - are already well known, so much so that the text as a whole is shallow for not giving the reader something more.  Additionally, Abbott butchers the mistresses of literature, writing Cliff's Notes to pad out a chapter that discusses everything from Jane Eyre to The Scarlet Letter, which contributes little and confuses the previously-established focus of the book.

Although some chapters were very interesting, the book as a whole was a chore to read for someone who is already familiar with most of the material.   

  
85. 
Title: [Claimed: Club Sin]
Author: Stacey Kennedy
Pages: 239
Genre: Erotica
Medium: Kindle
Acquisition:
Date Completed: December 2013

86. 
Title: [Scarlet]
Author: Marissa Meyer
Pages: 464
Genre: Science Fiction, YA, Revised Fairytale
Medium: Hardback
Acquisition: Library
Date Completed: December 24, 2013
Rating: ***

Initially, I was greatly disappointed with Scarlet; I did not find the novel to be nearly as compelling as the first, and I found the character of Scarlet to be forced and awkward, as the association with the fairy tale is clumsy at best.  However, once the parallel plot sequences involving the emperor and Cinder become more developed, the novel shifts, and becomes much more cohesive and thus entertaining.  I was pleased to see Cinder gain a few allies, and to see not only some of her past, but a plan for the future as well.

87. 
Title: [Into the Woods: Tales from the Hollows and Beyond]
Author: Kim Harrison
Pages: 528
Genre: Urban fantasy, short stories
Medium: Hardback
Acquisition: Library
Date Completed: December 30, 2013
Rating: **

This is a book for the uberfans, of which I am not one; Into the Woods is a collection of short stories, many of which detail how Rachel and her friends come to be. The stories themselves are sentimental and lacking strong development, providing some detail and intrigue for those who are deeply invested in the Hollows characters, but with little to interest those who may be less enthralled.  In this case, the low rating is indicative of audience: I am not the reader for whom Harrison is writing this collection. 

76. 
Title: [Six Geese A-Slaying]
Author: Donna Andrews
Pages: 336
Genre: Cozy Mystery
Medium: Hardback
Acquisition: Pre-ordered
Date Completed: November 3, 2013
Rating: ****

I think Donna Andrews is one author who can write a mystery involving churches that leaves me feeling amused as opposed to alienated.  There's little preaching and plenty of cheer as members of various denominations band together to lend a hand when a series of pranks renders some sanctuaries inhabitable during the Christmas season.  As usual, there is a perfectly detestable deceased and a likewise repugnant culprit.  Although I held out hope for a different outcome, I knew it was unlikely to come, and am no less charmed for Andrews' own authorial choices. 

I tend to balk at anything winter-holiday until after Thanksgiving, but Andrews has given me a bit of holiday cheer that may carry me through the long weeks at the end of the semester. 

76. 
Title: [Oedipus Rex]
Author: Sophocles
Pages:
Genre: Drama
Medium: Fitts edition
Acquisition: work text
Date Completed: November 3, 2013
Rating: *****

I've found there are a few works that just don't seem to grow stale, and Oedipus Rex is one of these.  I look forward to teaching it every semester, and leading students through all the devious twists and turns.  One of my favorite tasks is tracing the changes in the tone of the Chorus, and considering whether or not they are in part to blame for the drama's outcome. 

I am, however, a bit suspicious about this particular translation, but it seems like a bit of a standard. 

74. 
Title: [Gregor the Overlander]
Author: Suzanne Collins
Pages:
Genre: Children's Fantasy
Medium: Kindle
Acquisition: Purchased by rec of a colleague
Date Completed: October 20, 2013
Rating: ***

A colleague revealed himself to be a big fan of Suzanne Collins' work, and, interested in more than The Hunger Games, I asked him for a recommendation.  I could barely finish my sentence before he exclaimed, "Gregor the Overlander!"

Like The Hunger Games, I found that Collins is not actually doing anything new with this book: an eleven-year-old boy and his two-year-old sister fall down a hole in their laundry room, and find themselves in an underground world, where they must go on a quest to save their father who disappeared two years before.  Most elements of the story are familiar, from the quest to the hole to the talking spiders. However, unlike my reading of The Hunger Games, I did not find Collins' spin in Gregor the Overlander to be compelling; there just isn't much that feels new or fresh or even sympathetic. 

One reason I may find the story unappealing is that is seems to be written for a much younger audience; while I enjoy YA for what it is, I find myself more interested in "teenage" YA than elementary-level YA (except for those gems of nostalgia). 

That said, I'll likely give the next in the series a try, if only to give it a full shot.  However, I cannot say that I share my colleague's enthusiasm just yet. 

75. 
Title: [Titus Andronicus]
Author: William Shakespeare
Pages:
Genre: Drama
Medium: Paperback Folger edition
Acquisition: work text
Date Completed: October 21, 2013
Rating: *****

I am a little pleased that Titus has (accidentally) ended up as my 75th text of the year.

72. 
Title: [Othello]
Author: Shakespeare
Pages:
Genre: Drama
Medium: Paperback, Folger Edition
Acquisition:
Date Completed: October 7, 2013
Rating: *****

73.
Title: [Who Censored Roger Rabbit]
Author: Gary K. Wolf
Pages:
Genre: Satire
Medium: Kindle
Acquisition:
Date Completed: October 7, 2013
Rating: *****

Twenty-five years after Zemeckis establishes Roger and Jessica Rabbit as nostalgic icons in "Who Framed Roger Rabbit," I was delighted to discover that the rather silly film from my youth is in fact based on a novel by Gary K. Wolf published six years earlier: Who Censored Roger Rabbit?

Wolf's novel again demonstrates the familiar adage that the book is better than the movie.  While Zemeckis' film is goofy and cute but ultimately shallow (to memory - it's been a very long time), Wolf's novel is a brilliant and entertaining satire.  A parody of gritty noir novels, Wolf's novel paints a grim picture of racism and prejudice, establishing Toons as a second class of citizens trying to better their own lives. Responding to a rumor that someone is attempting to buy his contract and make him a star, Roger hires Eddie to look into his employer, who apparently refuses to sell. Along the way it comes to light that Jessica Rabbit has left Roger for this same employer, and it's not to play patty-cake. 

The further Eddie gets into Roger's case, the more complicated it becomes, as elements of racism and criminal activities compound the seemingly useless investigation.  Eventually bodies start piling up, and Eddie is left with conclusions that some character's don't want to hear.

For me, it is the conclusion that  makes this story: the ridiculous resolution at first seems to challenge narrative development, but in reflection is perfectly suited to the Toons involved.  Ultimately, it is the characterization - and the confirmation that even good guys can be bad guys - that makes the story so satisfying, regardless of the turn of events. 

I am so glad I found Wolf's novel; Roger Rabbit will never seem the same, and I like him better for it.    

66.
Title: [Othello]
Author: Shakespeare
Pages: 100
Genre: drama
Medium: Paperback
Acquisition: work text
Date Completed: October 20, 2012
Rating: *****

This semester I assigned a "defense of villainy" essay for our reading of Othello: students had to either defend Iago, or Othello's murder of Desdemona.  I'm about to dive into those essays now...

67. 
Title: [The Adoration of Jenna Fox]
Author: Mary E. Pearson
Pages: 288
Genre: YA Dystopian
Medium: Hardback
Acquisition: Purchased used
Date Completed: November 1, 2012
Rating: ***1/2

The Adoration of Jenna Fox was included on a list of superior YA dystopian fiction I received at a conference, and though the first suggestion was a major flop ([Feed]), I decided to give this a try.  I'm glad I did.  While I'm not certain I agree with the labeling of this text as dystopian, the narrative is interesting and really calls one to question our current medical and political systems.  It's not perfect, and some questions are left unanswered, but overall the novel is satisfying. 

68. 
Title: [Titus Andronicus]
Author: Shakespeare
Pages: 100
Genre: drama
Medium: paperback
Acquisition: Work text
Date Completed: November 1, 2012
Rating: *****

Presented somewhere between 1592-1595, Shakespeare's earliest tragedy is a product of its time; revenge tragedies and the translated works of Seneca are widely popular, each characterized by violence and bizarre events.  Although the content of the play - including mutilation, rape, and cannibalism - may seem shocking, even these elements are not singular to Shakespeare's text, as much of the inspiration for characterization and events comes from Ovid's Metamorphosis.

Using Titus in the classroom for the first time is very interesting, as student reactions vary widely - one student has even requested to step out momentarily when we discuss the rape of Lavinia.  The students recognize the sins of Titus, and yet still we wrestle with our desire to prefer him to Tamora.  Discussions are lively, and the questions are very smart.  At the end of it all I am asking them to write a paper of definition defining "tyrant" or "tyranny," using both (or either) Othello and Titus as support. 

The school's drama department is producing Titus now, and many students have said that being asked to see the play has actually improved their readings.  I'll go see it myself tomorrow. 

69. 
Title: [The Beautiful Mystery]
Author: Louise Penny
Pages: 384
Genre: Mystery
Medium: Hardback
Acquisition: Preordered
Date Completed: November 2, 2012
Rating: ***

Never before have I been able to step away from a Louise Penny novel before full consumption, but I had no problem putting down The Beautiful Mystery for long periods of time; despite preordering the book and receiving it on its release date, I'm only just finishing the novel.  Much is poetic, as usual, but I didn't find the story nearly as compelling as others.  As for the conclusion, my one thought is good riddance to bad rubbish. 

36. 
Title: Waiting for Godot
Author: Samuel Beckett
Pages: 100 pages
Genre: Drama
Medium: Paperback
Acquisition: Work Text
Date Completed: April 26, 2012
Rating:

37. 
Title: Simon Said
Author: Sarah R. Shaber
Pages: 220 pages
Genre: Cozy Mystery
Medium: Kindle
Acquisition: Borrowed from Amazon Prime
Date Completed: April 27, 2012
Rating: ***

Simon Shaw is the perfect protagonist for a cozy mystery; unlike other cozies, which dump corpses behind bakeries or in bookstores, Shaber deposits a 70-year-old corpse in the middle of an archeological dig at a college, where a depressed and socially awkward professor of history is happy to take up the research to put a name to the skull, and a name to the bullet inside of that skull.  As an amateur detective, Shaw utilizes his skill set as an academic and researcher, and pieces together the mystery in a way that is purposeful and conceivable.  While one of the two mysteries of the text isn't quite so meticulous, Shaw's own efforts are strong.

So why just three stars?  Shaw himself is repugnant, albeit far less so than some of his colleagues.  Emotionally crippled by the departure of his wife, Shaw is initially presented as a wounded animal, and lacks sympathy (when Shaw himself analyzes his failed marriage he can understand how his actions and decisions lead to the separation, and so can I).  However, such emotional frailty could be overlooked if Shaw himself wasn't such blatant a sexist.  Although a colleague in the history department is labeled a sexist, it is Shaw himself who proves far more demeaning and critical: the colleague dismisses women as a waste of time, while Shaw criticizes the "love interest's" choice of clothing, eating habits, and choice of beverages in a way that exerts his superiority over an independent and successful woman.  To Shaw, she lacks autonomy and instead functions as an inevitable addition to his life - after all, once she works through her far-more-complicated emotions he will be there to indulge in the relationship of his choosing. 

As much as I enjoy Shaw as an amateur  detective, his personal life is enough to keep me from pursuing the series.

31.
Title: Return of the Rose
Author: Theresa Ragan
Pages: 310 pages
Genre: Fiction
Medium: Ebook
Acquisition: Free Download, recommended by RichardDerus
Date Completed: March 31, 2012
Rating: ****

Ragan had me at "kirtle."

Time travel is one literary device which I have always disliked; no matter the amount of research that an author may dedicate to the composition of such a novel, the characters created are nearly always so grossly ignorant that their bumbling ways prove to be a greater frustration than source of entertainment. Return of the Rose, a story that relies on the idea of traveling through time (albeit through magic as opposed to pseudo-science) is not perfect, and does indeed dip into the ludicrous at particular moments (bikinis?!).

Despite her introduction of far-too-liberal fourteenth-century characters, Ragan's own research does come through; as opposed to limiting herself to such vague and useless descriptions as "old fashioned," she does in fact make an attempt to reconstruct a fourteenth-century environment, and her "bumbling" protagonist does make attempts to adapt, even if some of her actions seem careless.

The odds were stacked against this book, and still I found it to be very good fun. And if I, one who does not seek out the genre, enjoyed this book, then I am sure others will love it.


32.
Title: Othello
Author: Shakespeare
Pages: 100 pages
Genre: Drama
Medium: Anthology - Literature: An Introduction to Fiction, Poetry, Drama, & Writing
Acquisition: Work Text
Date Completed: March 31, 2012
Rating:

39.
Author(s): Samuel Beckett
Title: Waiting for Godot
Publication: Paperback
Pages:
Genre: Drama, tragicomedy, theatre of the absurd
Acquisition: Work Text
Date Completed: April 27, 2011
Rating:

Another work read, another re-read, and another top read.

12.
Author(s): Sophocles
Title: Oedipus the King
Publication: Literary Anthology
Pages:
Genre: Greek Drama
Acquisition: Work Text
Date Completed: February 6,2011
Rating:

Another work reread, and another constant favorite. My students and I always have a good time with Oedipus Rex.


13.
Author(s): Victoria Thompson
Title: Murder on St. Mark's Place
Publication: Kindle Edition
Pages:
Genre: Historical Cozy Mystery
Acquisition:
Date Completed: February 8,2011
Rating: 3.75 stars

Murder on St. Mark's Place is the second cozy mystery in the series by Victoria Thompson, featuring midwife Sarah Brandt and he unlikely partner Frank Malloy. The novel delivers more on character development than actual plot, but Thompson's humanizing efforts set the stage for future interest. The "mystery" itself is highly predictable from the go, but the novel itself is no less enjoyable.

10.
Author(s): Susan Glaspell
Title: [734419::Trifles] and "A Jury of Her Peers"
Publication: Literary Anthology
Pages:
Genre: Drama, short story
Acquisition: Work text, read once a semester
Date Completed: January 28, 2011
Rating: Unrated

11.
Author(s): Victoria Thompson
Title: [Murder on Astor Place]
Publication: Kindle Edition
Pages: 288
Genre: Historical cozy mystery
Acquisition: Recommended by leperdbunny
Date Completed: February 5, 2011
Rating: 3.5 stars

The unusual blending of genres is what first inspired me to pick up Victoria Thompson's Murder on Astor Place: historical in setting, interesting choice of occupation for the female protagonist (midwife, as opposed to the so-common librarian or shopkeeper), and a delightfully scandalous mystery. The protagonist, Sarah, is instantly sympathetic, if her involvement in the actual mystery is stretched a bit far (but such is the case with most cozy mysteries, so I would not call this a weakness). The mystery itself is dizzying at times, but well-paced, and the resolution is completely satisfactory.

However, I did have to take off a full star for unnecessary discrimination and judgment. In the final scenes (the all-important revelation), the suggestion of homosexual acts is used as a marker of complete and utter depravity for a specific character - the final poisoned cherry on an abhorrent cake. This detail does absolutely nothing for the development of the antagonist, nor does it have any place in the plot or resolution. It's an ugly moment in the novel that lead to my instant disappointment. Really, the resolution is itself moving enough without this added "degradation."

Still, this one detail is my only complaint, and I don't necessarily think it speaks to the body of Thompson's work as a whole, so I'll certainly be seeking out the other books in the series.

84.
Author: William Shakespeare
Title: Othello
Publication: Paperback
Pages:
Genre: Drama
Acquisition: Work text
Date Completed: October 28, 2010
Rating: 5 stars out of 5

The second of my paired yearly readings. A perfectly sinister and despicable villain, lies, manipulation, and a protagonist that is redefined on every page. I love this play.

35.
Author: Samuel Beckett
Title: Waiting for Godot
Publication: Paperback, Grove Press
Pages: 109 pages
Genre: Drama
Acquisition: Work text
Date Completed: May 4, 2010
Rating: 5 stars out of 5

"Nothing happens. Twice," said Beckett scholar Thomas Cousineau. Samuel Beckett called Waiting for Godot "that mess of a play", and referred to it as a minor, "left hand" work. I could very easily call Waiting for Godot my favorite play. In Beckett's work nothing can be taken for granted, and nothing is presented without motive. Beckett attempts to break down the distinctions between his characters and the audience, and challenges conventional dramatic presentation with his focus on the Theatre of the Absurd. My favorite theme for analysis and discussion is Beckett's portrayal of identity and the requirements for existence, but the copious themes and motifs at work within the short play make Waiting for Godot a fantastic piece to work with in the classroom. I teach Beckett's famous tragicomedy every semester, and I look forward to the experience time and again.

28.
Author: William Shakespeare
Title: The Tragedy of Othello, the Moor of Venice
Publication: Anthology Literature: An Introduction to Fiction, Poetry, Drama and Writing
Pages: 100 pages
Genre: Drama
Acquisition: Work Text
Date Completed: April 8, 2010
Rating: 5 stars out of 5

Othello is one of my favorite plays by Shakespeare. Like many of his plays, the foundation itself is not original (Shakespeare is inspired by an Italian novella published decades before his 1604 play), and the mastery itself comes down to the language and portrayal of the characters. Shakespeare's characters are stock characters - the faithful wife, the jealous husband, the villain - and yet instead of being flat and emotionally vacant they are both endearing and repulsive (usually both at once). One characteristic of the play that I find compelling is how Iago - our stock villain - forces the audience to become conspirators in his plot. The audience is the only other "character" who knows exactly what is going on - Iago's motivations and actions - and yet the audience is completely powerless to prevent the tragedy from unfolding.

I also enjoy the veiled threat that is the conclusion: everyone with the power to fully implicate Iago dies ... except for the audience.

16.
Author: Sophocles
Title: Oedipus the King
Publication: included in Literature: An Introduction to Fiction, Poetry, Drama and Writing.
Pages: 37 pages
Genre: Classical
Acquisition: Work text
Date Completed: February 14, 2010
Rating: 5 stars out of 5

In a play originally written for the Great Dionysia, Sophocles presents the tragedy that occurs when a man attempts to flee his fate, only to run into it head-first.

The original audience, like the modern audience, knew the conclusion before the production itself ever began. What makes Sophocles' drama so compelling isn't the narrative, but how he chooses to tell the story. Sophocles' Oedipus is at once a loving, paternal king and an insecure man with a violent temper. In Oedipus the King his character is carefully developed so that readers can understand how much a dedicated ruler is capable of slaughtering an old man and his company for a slight on the highway. While the citizens of Thebes raised Oedipus to godlike stature after the defeat of the sphinx, Sophocles reveals that Oedipus is just a man, and a greatly flawed one at that.

One of the aspects I personally find most interesting is the hierarchy of sin as presented in Oedipus the King. From the beginning the crime of murder seems to control the dramatic flow, as the oracle's proclamation points to the unavenged murder of King Laios as the motivation for Apollo's curse. However, as knowledge spreads throughout the principle cast it is revealed that incest is the greatest sin that can be laid at Oedipus' feet. His relationship with Jocasta takes center stage, and causes the greatest repugnance in the cast. In a twisting moment the Chorus shifts from condemning Oedipus to cursing Jocasta, and the tragic events of the play flow from mother to son.

Oedipus the King, as translated by Dudley Fitts and Robert Fitzgerald, is an elegant work of literature that treats audiences to the humanizing of myth, and the chance to witness a true fall from grace.

Challenges
75-Book Challenge: Book 16
1010 Challenge: Field-Related Book 2
Off-the-shelf:

80. Harris, Charlaine. Three Bedrooms, One Corpse. 240 pages. 6.29.09.


81. Wilde, Oscar. An Ideal Husband. 96 pages. 6.29.09.

Despite my deep and resounding love for Oscar Wilde's The Picture of Dorian Grey (for which I have given my sons the middle names Dorian and Henry), I have come to realize I have read shamefully little of his other work. Today I resolved to sit down with one of his well-known plays, and chose An Ideal Husband. The play is everything I've come to expect from Wilde; while the dialog doesn't sound particularly natural, it is infused with the wit and charm of Wilde's satirical authorial pressence, which carries the work well. I appreciated the parallel established between politics and marriage, and enjoyed the ever-present commentary on gender, fashion, society, and art (especially the aesthetic correlation established between Wilde's characters and known artists/styles). I look forward to reading more of Wilde's work - both drama and short stories - in the near future.

42. Beckett, Samuel. Waiting for Godot. 109 pages. 4.28.09.

Waiting for Godot is one of my favorite plays. The last time I read Samuel Beckett's monumental work I followed my reading with a 20+ page term paper on theatrical duality and the necessity of pairing for the formation of identity, so I think I'll spare myself (and others) an actual review of the play. It once again proves itself, and I am very glad I had the opportunity to return to it.

32. Kenyon, Sherrilyn. Fantasy Lover. 352 pages. 4.4.09.

This novel is about what you'd expect, given the title, but it is also surprisingly endearing. Romance novel meets a host of psychological complexes with a few Greek gods mixed in for good measure, Fantasy Lover proves very entertaining for occult/mythology enthusiasts looking for a more traditional romance novel.

The Kindle version is in desperate need of a good grammatical editor!

33. Shakespeare, William. The Tragedy of Othello, the Moor of Venice. 99 pages. 4.5.09.

Shakespeare's Othello is a captivating examination of jealousy, human inconsistency, gender relations, marriage, and so much more. Critical of nearly all of his characters - and leaving very few completely blameless - Shakespeare's depiction of human nature is far darker than the actions of his play. Othello will provide audiences with a twisted pleasure that is sure to leave a long-lasting impression. A masterpiece.