76.
Title: [Suicide Squad: Trial by Fire]
Author: John Ostrander
Genre: Comic
Medium: Hardback
Acquisition: Library Book
Date Completed: August something, 2016
Rating: ****

I liked the movie.  Honestly, I thoroughly enjoyed it - I left the theatre smiling and giggling and overall pleased with what I had seen.  I enjoyed the comic-like dialog, thought the music was well paired, and enjoyed the creative representations of most of the characters.  I hated the Enchantress plotline, but thought it clever and engaging that the true antagonist of the film is the industrial military complex of an American system devoid of checks and balances. As a scholar deeply involved in identity studies, I appreciated and followed the subtle discourse on villainy, its meaning and meaning makers, and its denoters. And I especially like Harley Quinn - yes, really. I know that there are many "fans" who love to hate Margo Robbie's presentation, but the arguments seem so shallow - I have a good friend, for example, who only wants HQ in her "real" Jester suit, when she hasn't donned the hideous thing in ages. Someone has been avoiding anything but the 1990s cartoon, methinks. The film recognizes that even in insanity Dr. Quinzle is a highly educated woman, who loses her sanity but not her intelligence. It also clearly recognizes that her actions are very much so a conscious performance, explicitly engineered to enable her a specific social and group standing.  I won't go into specifics, but I'll point to the car in the rain - there's a lot of depth in that scene. I also think it adds an interesting element to the Joker/Quinn romance, actually allowing them one, and making space for Quinn not as an abuse victim, but a willing participant in a nonnormative relationship. I think there's more there.

I have plenty more to say about the movie, but so does everyone else in the US right now, and mine is just another shout in the wind. What's pertinent here is that these detractors lead me to actually read the comic which inspires the film, and I equally loved it.  And the comic is everything the movie haters love to criticize about the film.

One complaint about the film was awkward exposition, which I'll say is entirely fair - and completed grounded in the comic, which does exactly the same thing. Boomerang and Enchantress are equally weak characters, and some of the awkward dialog and assertions of self are right there in the pages.  The first comic describes the building of the team, Amanda Waller's motivation and the consequences of her actions, and the murky morality of everyone involved. It's an interesting premise, believable in the world in which it takes place, and makes great space for a creative reintegration of well known villains.  Worth a read, I say.

Three more graphic novels bring me to my initial goal!

73.
Title: [The Saga of the Swamp Thing]
Author: Alan Moore
Genre: Comic
Medium: Paperback
Acquisition: Library Book
Date Completed: August 8, 2016
Rating: ***

Alan Moore's Swamp Thing is a canonical graphic novel that breaks new ground and shepherds the genre into new themes and ideas, abandoning caped crusaders to follow philosophical conundrums posed by the creation and existence of the humanoid character now known as Swamp Thing. I know this, and I knew it going into the book, but ultimately the entire text felt like an unfortunate chore - how I'm sure some high school freshman unfortunately feel when forced to read Romeo and Juliet because "it's a classic." I have no intention of debating Moore's influence on the genre, nor his prolific, and often intriguing productions. His narratives don't click for me as a general rule, and this book is no exception. While it was suggested to me both for its cannonical status and for its narrative on Othering and villainy, I didn't find anything that isn't likewise represented in texts I find more enjoyable to work with. A good box to check, but not a favorite for me.

74.
Title: [300]
Author: Frank Miller
Genre: Comic
Medium: Hardback
Acquisition: Library Book
Date Completed: August 9, 2016
Rating: ***

I saw the film 300 long before I knew the story was based on a graphic novel, and snagged it off the library shelf on a whim just recently. What I found was a treat of a story, paced and illustrated much like the kind of mythology which inspires its tale, and brief in its development and execution. The art style is a strong voice in the overall telling of the Spartan warriors willing to sacrifice their lives for their king and his stand for autonomy against an arrogant but powerful imperialist interloper. I couldn't help but let my imagination and the film fill in the narrative holes left in the original story, and I'm not quite sure that's a bad thing - there's certainly more to be said, and more one wants to hear about this march of men.

75.
Title: [Catwoman: A Celebration of 75 Years]
Author: Frank Miller
Genre: Comic
Medium: Hardback
Acquisition: Library Book
Date Completed: August 9, 2016
Rating: ***

This collection of Catwoman stories is the second I've read of its kind, and the editors select largely different representative stories, which allows me a stronger understanding of where the character has been, and where she may be going. Most valuable, though, are the editor's own descriptive introductions, placing the comics and the character into a larger cultural narrative, the better to understand her full development and impact; they speak of shows and movies, trends and cultural artifacts, and work to illustrate how she is a product of her time, while also timeless. Though I haven't yet found what I'm looking for in terms of primary source material, I'd say that this anthology is a great introduction to a classic anti-hero/villain/opportunist nearly as old as Batman, and just as dark and compelling.

70.
Title: [Batman: The City of Owls]
Author: Scott Snyder
Genre: Comic
Medium: Paperback
Acquisition: Comic Store
Date Completed: August 2, 2016
Rating: ***

A sequel to the incredible Court of Owls, The City of Owls follows Batman as he seeks revenge on the Court, penetrating their previously impervious boundaries and hunting for those in true control. Secondary stories follow Dr. Freeze and his "romantic" mission against Wayne Enterprises, the teenage electrician Harper Row, and Alfred's father's confrontation with the Court of Owls. Like teh second in many popular trilogies, The City of Owls feels most like a filler book, offering narrative and development without great engagement with developing plot points.

71.
Title: [The Joker: Endgame]
Author: Scott Snyder
Genre: Comic
Medium: Paperback
Acquisition: Comic Store
Date Completed: August 3, 2016
Rating: ******

This.  This. This book is a spectacular epic following the Joker's grand masterpiece of a final act, ultimately infecting over 90% of Gotham city and pushing Batman to his true limits. Woven throughout the book are teaser biographies of who the Joker "really is," whispered and shared by escaped Arkham Asylum inmates, their psychiatrist, and even boarding school students hiding from the madness of the chemical warfare beyond their school gates.  These biographies illustrate the reach and influence o Joker not just within the Batman canon, but in popular culture as a whole, demonstrating the hunger comic readers have for the "truth" behind the Joker's mystery, and the power of myth to grow and morph and promise and deny throughout telling.  As a whole, it is suspenseful and creepy, matching action with what amounts to ghost stories, and the ultimate twists are deeply satisfying and well written for such a spectacular character. Following the arc of Death of the Family I couldn't fathom what DC or Scott Snyder could do with the Clown Prince, and I for one am quite satisfied with their creative choices - and I'm thrilled for it analytic potential for my current research.

72.
Title: [Pretty Deadly]
Author: Deconnick, Brios, Bellaire, Cowles
Genre: Comic
Medium: Paperback
Acquisition: Comic Store
Date Completed: August 3, 2016
Rating: ***1/2

Pretty Deadly is a fictional Western in which a young girl, Sissy, travels with her adoptive paternal figure, performing the story of Deathface Ginny as her own mysterious past unfolds around her. When Death comes to release a Beauty from her Mason husband, who has jealously locked her away in a tower, Death himself falls in love with the young woman, and together they produce a daughter, whom Death names Ginny. This mythology is the clearest narrative in the entire book, which as a whole teasingly places Sissy in the story, and slowly reveals the truth of the fairy tale, and the parts played by the characters included. The artwork is lovely, but the story feels clumsy, especially after reading Monstress; had I read Pretty Deadly first I may have rated it more favorably, but after such a great book this one falls a bit flat.

65.
Title: Lost Girls: Volume 3
Author: Alan Moore
Genre: Graphic Novel
Medium: Hardback
Acquisition: Borrowed from Diss Adviser
Date Completed: July 14, 2016
Rating: ***1/2

66.
Title: [Hit List]
Author: Laurell K. Hamilton
Genre: Urban Fantasy
Medium: Hardback
Acquisition: Probably Pre-ordered once upon a time
Date Completed: July 12, 2016
Rating: **

This may be the most hideous book cover ever used by a professional publisher. The ethos of the book is immediately destroyed by this visual presentation, and the book itself does nothing to recover.

67.
Title: [Kiss the Dead]
Author: Laurell K. Hamilton
Genre: Urban Fantasy
Medium: Hardback
Acquisition: Probably Pre-ordered once upon a time
Date Completed: July 18, 2016
Rating: **

Neither of these books in the Anita Blake series is especially engaging, forgettable nearly as soon as they're put aside. I've missed Bullet in my straight-through attempt at a series, because a friend had my copy, and I'm currently deciding whether I want to go back to it, or skip it entirely; apparently I wasn't very impressed the first time around. I know the story picks up a bit in later books, so I'm tempted to just keep looking forward.

68.
Title: [Affliction]
Author: Laurell K. Hamilton
Genre: Urban Fantasy
Medium: Hardback
Acquisition: Probably Pre-ordered once upon a time
Date Completed: July 25, 2016
Rating: ****

I enjoyed Affliction both for its character development (finally!), and for the balance of romance and action.  When Micah's sheriff father is struck with a strange disease in the line of duty, his mother calls Anita, and the principle menage-a-trois travels home so Micah can say goodbye.  Coming home for the first time since falling under the tyranny of Chimera, Micah's stress is increased by both his former efforts to alienate his family for their protection, and a fanatical family branch who literally has his worst interest at heart. Introducing himself as a functioning member of a polyamorous relationship is the icing on the social cake, and ultimately this introduction serves to further the otherwise stagnant personal relationships that run Anita's household.There's more than initially meets the eye in nearly every social interaction, and resolution is found.  Anita gets back to work, with Edward on board, and seeing her in the field helps re-center the character in her non-amorous life (though, as other readers said, the social tension she encounters in these professional situations is repetitive to the point of pointlessness, no longer offering useful tension but adding a layer of annoyance to the plot lines. Not every secondary or tertiary character should serve as a therapeutic revelation and positive assertion of self). As an urban fantasy/romance the story is reasonably engaging, and provided just the entertainment I hoped for.

I struggle with the series from a number of critical perspectives, particularly as it clashes with my own theoretical allegiances. However, I don't read these as objects of study - I read them to check out and indulge, and Affliction lead me back to doing just that.

69.
Title: [Dead Ice]
Author: Laurell K. Hamilton
Genre: Urban Fantasy
Medium: Hardback
Acquisition: Pre-ordered
Date Completed: July 28, 2016
Rating: ***

Dead Ice, the Anita Blake installment of last summer, is a classic case of Laurell K. Hamilton's misdirection: promotional materials would have readers believe that the novel focuses on a case involving zombie porn, and the "apparent" (i.e. everyone can "tell") capturing and reinsertion of soul into the zombies being manipulation for the purposes of pornography. Smacking of a badie from before, Anita's anxiety spikes as she attempts to discern the identity of the animator, and just how he can accomplish this vile act once managed by only one priestess in the world.

Except ... the case barely registers.  As per usual, the circumstances of Anita's involvement in an FBI case are marginal to her personal confrontations, which in this book involves her ball-busting new guards and trying to do something with the disaster that is Asher (and Kane). The original case is a wonderful premise, and one worthy of development, but the novel completely fails this plot in favor of watching Anita stomp around the Circus asserting her big-doggedness and gaining even more metaphysical power.

I've come to realize that rereading the series in order was perhaps not the best decision if I wanted to maintain my casual fandom: these books are much more entertaining in isolated bursts of quick entertainment, and do not stand up to the test of extended development in synchronous reads. Though I love many of the characters, Anita is not one, and I'm finding myself more relieved than entertained that I've now finished the available series. I'm hanging on for the wedding, because it seems like the one true moment of progress I've seen, but I'm not nearly as excited as I was a year ago.

64. 
Title: [Monstress]
Author: Marjorie Liu and Sana Takeda
Genre: Graphic Novel
Medium: Paperback
Acquisition: Pre-ordered
Date Completed: July 12, 2016
Rating: *****
Monstress tells the tale of Maika Halfwolf, an Arcanic searching for answers to her own existence in the aftermath of a holy war which sees a tenuous peace between humans and Arcanics, which still allows for the slavery of the later by the former. Of curiously unknown half-human half-Ancient origin, Arcanics are fantastic humanoid characters of highly variable appearances, treated as beasts by humans, and literally consumed by witches who use their flesh for the production of illium, a magical solution.  Mysteriously more powerful than expected, and carrying a dark presence even she is unaware of at the first, Maika is driven by the death of her mother, the secrets the woman took with her, and a hunger that frightens both herself and the characters around her.  The narrative offers careful world and story-building, showing bits of history interspersed with the present to maintain the enjoyable uncertainty of the story without wholly confusing the reader. Complex characters with strong histories and motivations drive the story, and the fantasy of the time and place encourages immersion in a place that is entirely other, but eerily family and thus seemingly possible. The cover offers Neil Gaiman's critique that the book is "Remarkable: a beautifully told story of magic and fear," and I wholeheartedly agree.  Well done.

63.
Title: [Flirt]
Author: Laurell K. Hamilton
Genre: Urban Fantasy
Medium: Hardback
Acquisition: Probably Pre-ordered once upon a time
Date Completed: July 10, 2016
Rating: **

Flirt, a novella in the Anita Blake series, loosely uses the premise of flirtation as a personality trait to direct a melodrama of love, desire, loss, and violence. Opening with two uncomfortable professional interviews, in which Anita has to deny each client their request for the animation of their deceased spouses, Anita contemplates the flirtatious drives of a handful of her loved ones before being unceremoniously kidnapped by mercenary werelions. When someone can't take no for an answer, things get ugly, with fairly predictable Anita Blake results. The book introduces a character I find exceptionally interesting - namely, Nicky - but in such a way that the conclusion is overly obvious from the very first.  The story is weak and poorly planned, rushing to the climax (pun intended) without joy or enthusiasm.  If you've missed this one you're not missing much, and experience has shown me that the character is better explored later in the series.

59-60.
Title: [Lost Girls: Volume 1] and [Lost Girls: Volume 2]
Author: Alan Moore
Genre: Graphic Novel
Medium: Hardback
Acquisition: Borrowed from Diss Adviser
Date Completed: June 16-17, 2016
Rating: ****

Alan Moore's three-volume Lost Girls is a pornographic re-visitation of three familiar fairytale characters meeting, and enjoying clandestine affairs, in an unusual hotel.  Alice (of Wonderland) is a wealthy elderly lesbian who has been socially shunned from her family - not that she cares much; Wendy (Darling) is a meek and submissive wife still daydreaming of dalliances in the park with a fairy-like young man; Dorthy is a spunky American Westerner spinning yarns of frisky farm life for her European companions. Together, the women share their sexually deviant but fulfilling histories, while enjoying a casual intimacy which is represented as comfortable and engaging, asking nothing and giving everything: the stories known to us as children are represented as metaphors for sexual awakenings and adventures in a very adult world. Realistically, there are some power dynamics which show a tendency towards predatory consumption of  young women, and taboos are unapologetically represented as part of the characters histories. In the telling, though, Moore gives each of the characters agency, allowing them the pursuit of pleasure and interesting a way that would have been (and arguable still can be) denied young women, and negates any sense of shame or apology. In a first reading I'd then suggest that this is an intriguingly feminist text, at once acknowledging how society and social groups can take advantage of young women, and how those same young omen can find their own autonomy in the ownership of their sexuality. Moore's take on these traditional female figures captures and articulates the strange in-betweeness of Victorian sexuality - that which shouldn't be, but is undeniably there. It also expresses a keen understanding of intended audience and fairy tales, giving back to adults a space of fantasy and metaphor that the Victorians relinquished to children. The series was recommended to me by one of my dissertation advisers as I first approached a project on gender and Victorian novels and modern comics, and it's something to think about as I move forward with the project.

61.
Title: [The Female Detective]
Author: Andrew Forrester
Genre: Detective Novel
Medium: Paperback
Acquisition: Beach Read
Date Completed: July 5, 2016
Rating: ***

Andrew Forrester's The Female Detective, published in 1864, is the first of its kind*, introducing a female protagonist in a relatively new genre. Using the name of Mrs. Gladden, although never actually recognizing this as her legal name, the female detective in question introduces the occupation to her readers in a series of narratives, both justifying her position and actions and relating the specifics of a series of "cases" in which she is involved.  As a whole, the novel is clumsy and unsure of itself, using bracketed asides and footnotes to try to direct and clarify and generally justify the text, characters, and occupation itself. Interestingly, a true organization of occupation familiar to modern readers (and anyone familiar with police procedurals!) is missing, and Mrs. G reads more like a busybody with police connections than a competent professional; for example, in one significant case she takes it upon herself to research the strange adoption of a young girl, whose household presence secures a financial legacy, ultimately revealing the results of her investigation because it is "required" of her position, though she was hired of no one and her investigation threatens to bring true harm to very good people. Her works seems more like that of cozy mystery protagonists than a professional detective, which has interesting gender implications for the genre itself.  Not good in its own right, Forrester's novel is nonetheless an interesting cultural object for the study of Victorian culture, and the evolution of the genre.

*Like many "firsts", this is a bit contentious. However, despite the existence of Ruth the Betrayer from 1862/3, I'll maintain for my own purposes that Forrester's novel is "first." My own personal justification for this is that Ellis' text is a serial penny dreadful, a different form of publication from Forrester's formal novel publication.  Therefore, Ellis' spy may be the first female detective in English, but Forrester's novel is the first female detective novel.

62.
Title: [Clean Room]
Author: Gail Simone
Genre: Graphic Novel
Medium: Paperback
Acquisition: Pre-ordered
Date Completed: July 6, 2016
Rating: *****

A well-written, strongly-illustrated, highly-compelling graphic novel. Clean Room takes a Scientology-esque institution and places it into productive action, revealing an alternative awareness of the world which both enlightens and terrifies those who know. Astrid Mueller is a horror writer turned self-help guru who has attracted a large umber of devoted followers, including nearly all of Hollywood, who attend weekly "readings" and espouse her wisdom. The organization is also cited in a number of suicides, calling into question Mueller's intentions and control, and whether or not her "help" is really positive. When a reporter's fiance falls under Mueller's spell, and kills himself suddenly, she makes it her mission to expose Mueller and take down the organization. Of course, there is far more to the story than she imagines, which she discovers after being allowed a rare glimpse into the "clean room" that is Astrid's true command center. The book is a creative take on alternative social communities and suggestive of a real horror that will leave readers on edge.  The character development is strong and largely believable, making the fantastic all the more possible.  Very well done.

56.
Title: [The G-String Murders]
Author: Gypsy Rose Lee
Genre: Pulp
Medium: Paperback
Acquisition: Beach Read
Date Completed: June 23, 2016
Rating: *****

Before there was Dita Von Tese there was Gypsy Rose Lee, a vaudeville performer turned strip teaser who went on to become a cultural icon with fluctuating media success.  According to her son’s introduction, Gypsy Rose Lee was never formerly educated, having spent her whole life travelling for the stage, but had a voracious appetite for reading, individual books becoming her tutors and her windows into different worlds and different lives.  Lee is no stranger to the pen, either, and in 1941 turns to pulp fiction with her publication of The G-String Murders.

The G-String Murders takes readers behind the scenes of a burlesque theatre, illustrating contentious and complex human relationships between stage performers, which leads to the very real (and welcomed, at times) murders of women with more enemies than back-door Johnnies. Gypsy Rose Lee herself is the protagonist, adding a realistic and identifiable voice to the telling of a series of garish murders, when strip-teasers are found strangled with glittering g-strings in a performance that seems fit for a stage. A classic whodunit, nearly everyone is suspicious, and the animosity between burlesque performers and the police force add a tension to the plot that adds believability to the suggestion that a comic and his dancer girlfriend need to investigate on their own.  The scenes backstage and in the dressing rooms are just as grand and engaging as the acts on stage, and the pace runs high and keeps twirling from beginning to end.  The G-String Murders will delight fans of mystery, pulp, and cozy-mysteries alike, and would be a real treat for anyone interested in burlesque and strip tease. Strong personalities and an intimate understanding of narrative make this pulp a real winner.

57.
Title: [Mother Finds a Body]
Author: Gypsy Rose Lee
Genre: Pulp
Medium: Paperback
Acquisition: Beach Read
Date Completed: June 25, 2016
Rating: ***

The sequel to The G-String Murders, Mother Finds a Body directly follows the conclusion of the first, removing Gypsy Rose Lee and a handful of familiar characters from the theatre, and and places burlesque performers in a tenuous position in the "real" world. Outside of the performing space, these characters lose a bit of their polish, and with it the interest of the reader. Though the introduction of Lee's mother as a principal characters adds a layer of enjoyable anxiety, the narrative as a whole is more traditional as a murder mystery, and thus less successful overall, as it is the unique perspective and setting which makes the first such a success.  The suspension of disbelief is a bit more difficult, as it's impossible to imagine travelling for several days in a packed trailer with an undiscovered murder victim in a bathtub, and the rest of the story is just as contrived. The saving grace is the character of Gypsy herself, who can still charm readers into going along for the ride. The second book is definitely second-best, but it's worth a look for a quick beach read.

58.
Title: [Sex Criminals: Vol. 1]
Author: Matt Fraction
Genre: Graphic Novel
Medium: Paperback
Acquisition: Beach Read
Date Completed: June 27, 2016
Rating: ***

The premise of Matt Fraction's Sex Criminals is curious and compelling: a young girl discovers at her sexual awakening that her orgasms stops time for all but her, allowing her variable stretches of experience in what she dubs "the Quiet Place." Faced with grief over the death of her father, and her mother's subsequent withdrawal and alcoholism, the Quiet Place gives Suzie the time and space she needs to heal and come to grips with her life, even as it leaves her feeling extraordinarily isolated and lonely following intimate bodily and emotional connections. Just when se determines that she'll never share this quiet moment with another she meets Jonathan, who has the same ability, albeit with a far more lascivious understanding, and a destructive inclination that leads him to use the time freeze for juvenile delinquency rather than quiet reflection and self-discovery. Together, they decide to use their intimate powers for both harm and good: robbing banks to raise the money to keep Suzie's library out of foreclosure.

For a book that uses sex as its narrative vehicle, Sex Criminals is not itself pornographic, keeping far from Alan Moore's level of sexual revelation, and playing the sex shop for gags rather than titillation. The artwork itself is oddly sweet and cartoonish, setting the tone of the book as approachable and well=meaning, with none of the grit and hard lines of, say, caped comics. However, the introduction of the sex police derail the story, adding an unnecessary layer of conflict and distracting fro the stories already put into motion. This, and the abrupt conclusion of the first volume, keep the book from being a full success, and ultimately will prevent me from seeking the next volume.

55.
Title: [Burial Rites]
Author: Hannah Kent
Genre: Historical Fantasy
Medium: Hardback
Acquisition: Library Book
Date Completed: June 20, 2016
Rating: *****

Hannah Kent's Burial Rites tells the story of an Icelandic farm family charged with the temporary holding of a condemned murderess, and the difficult and intimate human relationships that are formed when people are forced by circumstance and necessity to occupy the same small spaces for the sake of survival. Agnes, having been tried and convicted of the murder of her lover Natan, is placed with a family in the community in which she was first born, living and working with them more as a hired servant than a condemned criminal for the circumstances of her imprisonment. At first fearful and repulsed by both their charge of keeping and Agnes' proximity to their wholesome, god-fearing family, the members of the household each form individual and nuanced relationships with the young woman, illustrating their own humanity as Agnes' is revealed, and the texture of the human spirit.

The novel as an object is a work of poetry, carefully weaving a tale that draws the reader in, teasing with developing stories, and sharing a realistic space and time clearly informed by careful and extensive research; the novel has a quiet patience that allows relationships to unfold and develop and for an intimacy and depth of character to come forth naturally, echoing the real relationship and community building of such households and villages. . Far from the courts and intrigue that so often inspires the genre of historical fiction, Burial Rites tells the story of ordinary people living ordinary lives, and the extraordinary circumstances that punctuate their existence, and yet fails to change it permanently.  Kent's work is thoughtful and beautiful, and Burial Rites is a book that deserves extensive attention.

53.
Title: [Amazing X-Men: The Quest for Nightcrawler]
Author: Jason Aaron
Genre: Comic
Medium: paperback
Acquisition: Comic shop suggestion
Date Completed: June 17, 2016
Rating: ***

Like the last X-Men book on my list, The Quest for Nightcrawler is a shop-employee suggestion. In this first volume of Amazing X-Men, strange creatures begin appearing around the school, leading to a portal which suddenly transports a number of X-Men to heaven and hell, where they meet Azazel and a band of demonic pirates on a quest to collect souls and overthrow the afterlife.  Nightcrawler, himself deceased and pining for adventure despite his secure place in heaven, leads his former comrades in the fray against his father, literally captaining a hell-ship and defeating the empowered souls of notorious sinners such as Jack the Ripper.  At first, the entire plot device smacked of barely-palatable shark jumping, but as the book developed Nightcrawler as a conflicted and nuanced character, and brought the X-Men back from the afterlife to the present reality, it became far more compelling, and holds a promise of something interesting to come. Though a bit clumsy as a whole, the narrative reigns itself in successfully, and delivers appealing artwork to help fans through the rough patches.


54.
Title: [Batman: The Court of Owls]
Author: Scott Snyder
Genre: Comic
Medium: paperback
Acquisition:
Date Completed: June , 2016
Rating: ****

Batman: The Court of Owls is a dark and thrilling ride through a Gotham both familiar and not, taking well-known characters and complicating them in ways the series has failed to do in the past. A Gotham-known nursery rhyme speaks of a "Court of Owls," a shadowy cabal which controls the city. Having unsuccessfully searched for the court as a child, Batman dismisses the possibility of their existence, even after Bruce Wayne receives threats, and a subsequent assassination attempt, from the death-dealer of the Owls. As the plot unfolds, Batman realizes that he may not know the city quite as well as he thought, and his assertion that the city is "his" is soundly challenged.

One of the great appeals of Batman over supernatural superheroes is his fallibility - the very real possibility that he can fail, physically and intellectually, because he is human - and this first New 52 volume takes full advantage of his undeniable humanity. His struggles with the Court of Owls push him to the very brink psychologically, challenging the hero in ways far more poignant and compelling than brute and brawn. The book is well-paced and carefully developed, and much of the artwork is breathtaking, textured, and dark.  This book is a real winner.

50.
Title: [Extraordinary X-Men: X-Haven]
Author: Lemire and Ramos
Genre: Comics
Medium: Paperback
Acquisition: Purchased
Date Completed: May 2016
Rating: **

The subject of "Punk Storm," as I know her (or "mohawk Storm," as the comic shop clerk called her) first came to my attention when I was researching Storm cosplay and crossplay for a PhD course. At the time my object of study was the cosplay itself, and not the comic, so I spent my time researching backstories and reading images of fan productions. Now, with a few weeks of actual leisure time before me, I decided to seek out the stories in their original forms, and walked into the comic store saying (literally), "I need her in my life."  This time, though, the store recommendation did not meet my expectations. In X-Haven, Ororo is the headmistress of the famous school, and is facing down a series of exterior threats to mutant kind, as per the conflict that is familiar to any X-text. Given my limited experience with X-Canon, I had a very difficult time putting things in place; luckily my past research into narrative arcs prepared me for, for example, "Old Man Logan and young Jean Grey," but the story itself would have made next to no sense without that research. The excessive use of dimension transcendence and time travel leads to a sloppy story full of holes and an excess of expressive emotion over character development - what takes the whole book to establish could have been much more deftly done, and with greater interest, if layered with (forgive the pun) a sense of humanity and interiority.

ComicVine.com is quoted on the cover as saying, "A good place for new readers to jump on..." which is grossly inaccurate - those who have a passing understanding of these characters from other popular media (i.e. films and cartoons) will have no clear idea what is going on, and will struggle to put the pieces together as they race through the melodrama. If one is familiar with the larger narrative this book may be more satisfying; however, this is not a "place ... to jump on" for anyone who really wishes to engage with the characters.


50.
Title: [A Discovery of Witches]
Author: Deborah Harkness
Genre: Fantasy
Medium: Hardcover
Acquisition: Library Book
Date Completed: 352 pages read
Rating: **

A Discovery of Witches is the first novel in a trilogy which follows a plain, grounded young woman who magically captures the interest of a stunning and elusive ancient vampire who finds himself powerlessly drawn to protect her, despite over a thousand years of control and autonomy. He frequently threatens her with the aggressive poetry of his vampiric existence, and she stubbornly refutes all who stand in the way of what she claims can be nothing other than love.

Sound familiar?*

Unlike Twilight, which is in one sense a guide for accepting emotionally-abusive relationships, the protagonist Diana Bishop (of the Salem line) truly has a mind of her own (academically, at least), which she exercises enthusiastically through her research into the history of science and medieval alchemical texts.  A brilliant PhD with accolades to spare, Diana finds herself in Oxford conducting research, when she calls a text which seems to have a mind of its own - especially to her (largely suppressed) witch's instincts. Determined to stand by a resolution to avoid magic, a theme that is painstakingly detailed int he book itself, Diana send the book back, unintentionally bringing down the attention of a horde of supernatural creatures who have sought the text for decades, believing it was lost forever. Matthew is one such creature, and shoe-horns his way into her life and trust in search of the book, which he believes holds the secret to their supernatural existence, a question that has informed his genetic research since the nineteenth-century (at least. Perhaps longer? I can no longer remember).

Though I have a deep love of both history and vampires, I had much less for this book, which I found to be poorly paced and overly developed. Though threats, movements, and action are named, most of the 300+ pages I read took place in Diana's thoughts, with only the suggestion of things happening over there. In trying to be both a fantasy novel and an historical novel the book became neither, plodding through historical trivial and assertions of intelligence, stepping once in awhile to vaguely supernatural territory.  As I have two dear friends who devoured the trilogy, I'm willing to wager that I'm too much of a "fantasy" (horror) and historical (rather than historical fiction) reader to enjoy what Harkness has done.  Having read a short novel's worth and maintaining next to no interest I decided it was best for me to move on.


* Twilight is first published in 2005, and A Discovery of Witches is published in 2011. Although Wikipedia sites a newspaper article in which the authors claims to have never read Twilight (or other popular vampire texts), the resemblance in character dynamics can easily have come from a general awareness of the media franchise. Likewise, given her role as a female academic, I think it's probable she's familiar with at least the feminist critique of the romantic relationship of the series, which may have, at least subconsciously, informed her own writing.


51.
Title: [The Bullet-Catcher's Daughter]
Author: Rod Duncan
Genre: Fantasy
Medium: paperback
Acquisition: Library Book
Date Completed: June 9, 2016
Rating: **

The most creative and engaging aspect of this novel was the cover, over which the author likely had no control nor influence. Elizabeth Barnabas, having fled The Kingdom under the threat of sexual slavery, comes to operate as a private intelligencer in The Republic, utilizing her skills as a transvestite from a youth spent in a travelling show to secure the confidence of customers and the social freedoms of a man in a purportedly nineteenth-century influenced puritanical society. When a creditor threatens to repossess her beloved houseboat, Elizabeth is forced to accept a suspicious assignment to track down a Kingdom aristocrat who fled with a circus with the officials of the all-powerful Patent Office on his, and a mysterious contraption's, tail. Seeing not just the possibility of a mortgage, but the potential to return to the Kingdom a free woman, Elizabeth bullishly follows every lead, and finds herself in frequent hot water.

Elizabeth Barnabas has all the charisma of her traveling case. That is to say, her one distinguishing characteristic, and skill, is her life as a frequent transvestite and her assertion that she transforms into a twin brother in only two minutes (clearly the author has little technical experience with corset busks, breast bindings, or nineteenth-century clothes in general). Though there may be some use in creating an Everywoman protagonist, allowing for the reader's projection of self, there is so little personality in Elizabeth that she becomes a cardboard waif, generating just as much care. The false Victoriana is a drudgery, without the charm and nuance of the real thing, and lacking the fantastical delights of steampunk and alternative history. Given the rich potential of these genres, the author seems almost lazy in both world and character creation, moving the Berlin wall to the UK, and essentially placing a fantastic ahistoric France on once side, and a Puritanical US on the other. There is much to criticize, too, of the casual use of sexual indenture, but even this seems like an afterthought - after all, Duncan had to give his female protagonist something to fear in her homeland. Ultimately, there is too little for suspension of disbelief, and it was a real chore to complete.