90.
Title: [Bodies]
Author: Si Spencer, et al.
Genre: Comic
Medium: Paperback
Acquisition: Purchased
Date Completed: November 4, 2016
Rating: ***

At four points in time, but presumably the same space, a mutilated body is found, and an unusual murder investigation begins. Thrice, the detectives in charge demonstrate integrity which positively marks them, and once the very deviance of the detective generates strong interest in the reader. As the audience skips from point to point, seeing the parallels lost to the characters in the story, they are treated to sympathetic and interesting characters, fantastic and varied artwork, and an engaging pace which builds and threads from four corners all to a central point. Unfortunately, once that point is reached the strength of the text dissolves, along with any semblance of originality, and not even the compelling protagonists can pull it through. Taking strong cues from the ridiculous moves and conclusion of From Hell, which is similarly smart and interesting until taking this turn for the worst, the narrative dissolves into the ridiculous, and is so close to Alan Moore's take on Jack the Ripper that its adaptation walks the line of direct mimicry. Those who enjoyed the conclusion of From Hell would likely enjoy Bodies just as much, and I'd encourage them to do so. For others, I'd say that the early development and artwork are reason enough to pick it up, but would caution anyone from growing too invested in the book's conclusion.

80.
Title: [Gotham City Central]: Jokers and Madmen
Author: Greg Rucka, Ed Brubaker
Genre: Comic
Medium: Paperback
Acquisition: Library Book
Date Completed: September 19, 2016
Rating: ****

Th second volume of Gothic City Central is just as compelling a the first, carefully blending the genres of caped comics and police procedurals and ending up with a strong, character-driven book that develops carefully and with the drama and action appropriate to each, without jumping the shark (or nuking the fridge? What are we going with these days?). Well done, and a pleasure to read.

79.
Title: [Gotham City Central]: In the Line of Duty
Author: Greg Rucka, Ed Brubaker
Genre: Comic
Medium: Paperback
Acquisition: Library Book
Date Completed: September 17, 2016
Rating: ****

Rucka and Brubaker's Gotham City Central occupies the mundane world of Batman's Gotham City, taking a step back from the extraordinary of masked antiheroes and villains to develop an understanding of a police force faced with both typical and atypical crime, and a compatriot they don't exactly like, but understand they must call in when the atypical runs amok. These are the men and women who serve as Gotham City detectives, investigating rape and murder and abductions, and who are faced with the terrifying reality of supervillains from time to time. Though Batman exists in the text, he's on the fringe of the narrative - a looming necessary evil that the squads resent, and try to limit, but nonetheless needs to be called in from time to time. Though almost entirely missing the iconic figure of The Bat, Gotham Central is far from dull, and works well to show readers that Gotham itself, and the people who inhabit this fictional New York, can be just as compelling, and are far more than fodder in the extravagant fight of masks and capes. There are triumphs and failures, prejudices and personal lives, and a negotiation between morals and expectations. The artwork is grim and compelling, avoiding flashy colors and elaborate scenes for the texture of a place you expect to find in reality.  A well done work, and a wonderful addition to the Batman canon.

77.
Title: [The Perfect Gentleman: the Pursuit of Timeless Elegance and Style in London]
Author: James Sherwood
Genre: Fashion History
Medium: Hardback
Acquisition: Library Book
Date Completed: August something, 2016
Rating: ****

The introduction to The Perfect Gentleman develops a personal narrative which clearly situates the subject of the volume with the author's own experiences and romanticization of his subject (which is not, I should clarify, a criticism of the author or his text, but rather a recognition of a personal investment which often seems to drive fashion historians). Recognizing the role of materiality and commercialization in the establishment and maintenance of the identity of a British gentleman, Sherwod offers in his volume a series of brief histories of accouterments now closely aligned with the social role, so as to be indistinguishable from the signified. Though Sherwood asserts that the text is academic - and no doubt his research itself was an academic endeavor - the volume produced is much more of a fleshy coffee-table book - a collection of stories and histories interesting to fashion enthusiasts, but not deeply academic or useful for true research. Thus, it illustrates, but does not advance, the field.  I loved the trivia it offers, such as the origins of the expression "mad hatter," but theses stories are more delightful quips than actually useful to the project at hand. Still, if you're interested in gloves and hats and tobacco, and just why certain brands are associated with high class gender construction, this is a fun book to pour over. Recommended for pleasure, but not research.

78.
Title: [Suicide Squad: The Nighshade Odyssey]
Author: John Ostrander, Luke McDonnell, Bob Lewis
Genre: Comic
Medium: Paperback
Acquisition: Library Book
Date Completed: September 2, 2016
Rating: **

The Suicide Squad is built on the premise, as Amanda Waller is so fond of repeating, that its members are expendable; criminals are sent on dangerous missions of questionable integrity by a manipulative government, upon which relies their freedom and their lives. Literally sent to die in some cases, they fight not for integrity or a sense of right and wrong (despite the assertions of their "leader," who is given a cheap form of guilt morality), but for a chance to escape confinement, or to win aid in unfortunate personal trials. The premise itself remains intriguing, as it brings into question the assertion of villainous identities - who is named a villain, who names villains, and who can really determine what is "right" - but the second volume clearly believes its characters are just as expendable as Waller asserts. Without characterization, without any level of humanity, without any interest these blank humanoid figures are sent out and recalled, fight and share horrible snippets of melodramatic dialog, perhaps with a moment of personal angst from a figure or two. They are, nearly to a one, nothing, and there is very little to engage the reader. I'm actually glad now that the series has caught popular attention, because it means DC will take the property more seriously, and therefore produce stronger books with a great idea.

76.
Title: [Suicide Squad: Trial by Fire]
Author: John Ostrander
Genre: Comic
Medium: Hardback
Acquisition: Library Book
Date Completed: August something, 2016
Rating: ****

I liked the movie.  Honestly, I thoroughly enjoyed it - I left the theatre smiling and giggling and overall pleased with what I had seen.  I enjoyed the comic-like dialog, thought the music was well paired, and enjoyed the creative representations of most of the characters.  I hated the Enchantress plotline, but thought it clever and engaging that the true antagonist of the film is the industrial military complex of an American system devoid of checks and balances. As a scholar deeply involved in identity studies, I appreciated and followed the subtle discourse on villainy, its meaning and meaning makers, and its denoters. And I especially like Harley Quinn - yes, really. I know that there are many "fans" who love to hate Margo Robbie's presentation, but the arguments seem so shallow - I have a good friend, for example, who only wants HQ in her "real" Jester suit, when she hasn't donned the hideous thing in ages. Someone has been avoiding anything but the 1990s cartoon, methinks. The film recognizes that even in insanity Dr. Quinzle is a highly educated woman, who loses her sanity but not her intelligence. It also clearly recognizes that her actions are very much so a conscious performance, explicitly engineered to enable her a specific social and group standing.  I won't go into specifics, but I'll point to the car in the rain - there's a lot of depth in that scene. I also think it adds an interesting element to the Joker/Quinn romance, actually allowing them one, and making space for Quinn not as an abuse victim, but a willing participant in a nonnormative relationship. I think there's more there.

I have plenty more to say about the movie, but so does everyone else in the US right now, and mine is just another shout in the wind. What's pertinent here is that these detractors lead me to actually read the comic which inspires the film, and I equally loved it.  And the comic is everything the movie haters love to criticize about the film.

One complaint about the film was awkward exposition, which I'll say is entirely fair - and completed grounded in the comic, which does exactly the same thing. Boomerang and Enchantress are equally weak characters, and some of the awkward dialog and assertions of self are right there in the pages.  The first comic describes the building of the team, Amanda Waller's motivation and the consequences of her actions, and the murky morality of everyone involved. It's an interesting premise, believable in the world in which it takes place, and makes great space for a creative reintegration of well known villains.  Worth a read, I say.

Three more graphic novels bring me to my initial goal!

73.
Title: [The Saga of the Swamp Thing]
Author: Alan Moore
Genre: Comic
Medium: Paperback
Acquisition: Library Book
Date Completed: August 8, 2016
Rating: ***

Alan Moore's Swamp Thing is a canonical graphic novel that breaks new ground and shepherds the genre into new themes and ideas, abandoning caped crusaders to follow philosophical conundrums posed by the creation and existence of the humanoid character now known as Swamp Thing. I know this, and I knew it going into the book, but ultimately the entire text felt like an unfortunate chore - how I'm sure some high school freshman unfortunately feel when forced to read Romeo and Juliet because "it's a classic." I have no intention of debating Moore's influence on the genre, nor his prolific, and often intriguing productions. His narratives don't click for me as a general rule, and this book is no exception. While it was suggested to me both for its cannonical status and for its narrative on Othering and villainy, I didn't find anything that isn't likewise represented in texts I find more enjoyable to work with. A good box to check, but not a favorite for me.

74.
Title: [300]
Author: Frank Miller
Genre: Comic
Medium: Hardback
Acquisition: Library Book
Date Completed: August 9, 2016
Rating: ***

I saw the film 300 long before I knew the story was based on a graphic novel, and snagged it off the library shelf on a whim just recently. What I found was a treat of a story, paced and illustrated much like the kind of mythology which inspires its tale, and brief in its development and execution. The art style is a strong voice in the overall telling of the Spartan warriors willing to sacrifice their lives for their king and his stand for autonomy against an arrogant but powerful imperialist interloper. I couldn't help but let my imagination and the film fill in the narrative holes left in the original story, and I'm not quite sure that's a bad thing - there's certainly more to be said, and more one wants to hear about this march of men.

75.
Title: [Catwoman: A Celebration of 75 Years]
Author: Frank Miller
Genre: Comic
Medium: Hardback
Acquisition: Library Book
Date Completed: August 9, 2016
Rating: ***

This collection of Catwoman stories is the second I've read of its kind, and the editors select largely different representative stories, which allows me a stronger understanding of where the character has been, and where she may be going. Most valuable, though, are the editor's own descriptive introductions, placing the comics and the character into a larger cultural narrative, the better to understand her full development and impact; they speak of shows and movies, trends and cultural artifacts, and work to illustrate how she is a product of her time, while also timeless. Though I haven't yet found what I'm looking for in terms of primary source material, I'd say that this anthology is a great introduction to a classic anti-hero/villain/opportunist nearly as old as Batman, and just as dark and compelling.

70.
Title: [Batman: The City of Owls]
Author: Scott Snyder
Genre: Comic
Medium: Paperback
Acquisition: Comic Store
Date Completed: August 2, 2016
Rating: ***

A sequel to the incredible Court of Owls, The City of Owls follows Batman as he seeks revenge on the Court, penetrating their previously impervious boundaries and hunting for those in true control. Secondary stories follow Dr. Freeze and his "romantic" mission against Wayne Enterprises, the teenage electrician Harper Row, and Alfred's father's confrontation with the Court of Owls. Like teh second in many popular trilogies, The City of Owls feels most like a filler book, offering narrative and development without great engagement with developing plot points.

71.
Title: [The Joker: Endgame]
Author: Scott Snyder
Genre: Comic
Medium: Paperback
Acquisition: Comic Store
Date Completed: August 3, 2016
Rating: ******

This.  This. This book is a spectacular epic following the Joker's grand masterpiece of a final act, ultimately infecting over 90% of Gotham city and pushing Batman to his true limits. Woven throughout the book are teaser biographies of who the Joker "really is," whispered and shared by escaped Arkham Asylum inmates, their psychiatrist, and even boarding school students hiding from the madness of the chemical warfare beyond their school gates.  These biographies illustrate the reach and influence o Joker not just within the Batman canon, but in popular culture as a whole, demonstrating the hunger comic readers have for the "truth" behind the Joker's mystery, and the power of myth to grow and morph and promise and deny throughout telling.  As a whole, it is suspenseful and creepy, matching action with what amounts to ghost stories, and the ultimate twists are deeply satisfying and well written for such a spectacular character. Following the arc of Death of the Family I couldn't fathom what DC or Scott Snyder could do with the Clown Prince, and I for one am quite satisfied with their creative choices - and I'm thrilled for it analytic potential for my current research.

72.
Title: [Pretty Deadly]
Author: Deconnick, Brios, Bellaire, Cowles
Genre: Comic
Medium: Paperback
Acquisition: Comic Store
Date Completed: August 3, 2016
Rating: ***1/2

Pretty Deadly is a fictional Western in which a young girl, Sissy, travels with her adoptive paternal figure, performing the story of Deathface Ginny as her own mysterious past unfolds around her. When Death comes to release a Beauty from her Mason husband, who has jealously locked her away in a tower, Death himself falls in love with the young woman, and together they produce a daughter, whom Death names Ginny. This mythology is the clearest narrative in the entire book, which as a whole teasingly places Sissy in the story, and slowly reveals the truth of the fairy tale, and the parts played by the characters included. The artwork is lovely, but the story feels clumsy, especially after reading Monstress; had I read Pretty Deadly first I may have rated it more favorably, but after such a great book this one falls a bit flat.

56.
Title: [The G-String Murders]
Author: Gypsy Rose Lee
Genre: Pulp
Medium: Paperback
Acquisition: Beach Read
Date Completed: June 23, 2016
Rating: *****

Before there was Dita Von Tese there was Gypsy Rose Lee, a vaudeville performer turned strip teaser who went on to become a cultural icon with fluctuating media success.  According to her son’s introduction, Gypsy Rose Lee was never formerly educated, having spent her whole life travelling for the stage, but had a voracious appetite for reading, individual books becoming her tutors and her windows into different worlds and different lives.  Lee is no stranger to the pen, either, and in 1941 turns to pulp fiction with her publication of The G-String Murders.

The G-String Murders takes readers behind the scenes of a burlesque theatre, illustrating contentious and complex human relationships between stage performers, which leads to the very real (and welcomed, at times) murders of women with more enemies than back-door Johnnies. Gypsy Rose Lee herself is the protagonist, adding a realistic and identifiable voice to the telling of a series of garish murders, when strip-teasers are found strangled with glittering g-strings in a performance that seems fit for a stage. A classic whodunit, nearly everyone is suspicious, and the animosity between burlesque performers and the police force add a tension to the plot that adds believability to the suggestion that a comic and his dancer girlfriend need to investigate on their own.  The scenes backstage and in the dressing rooms are just as grand and engaging as the acts on stage, and the pace runs high and keeps twirling from beginning to end.  The G-String Murders will delight fans of mystery, pulp, and cozy-mysteries alike, and would be a real treat for anyone interested in burlesque and strip tease. Strong personalities and an intimate understanding of narrative make this pulp a real winner.

57.
Title: [Mother Finds a Body]
Author: Gypsy Rose Lee
Genre: Pulp
Medium: Paperback
Acquisition: Beach Read
Date Completed: June 25, 2016
Rating: ***

The sequel to The G-String Murders, Mother Finds a Body directly follows the conclusion of the first, removing Gypsy Rose Lee and a handful of familiar characters from the theatre, and and places burlesque performers in a tenuous position in the "real" world. Outside of the performing space, these characters lose a bit of their polish, and with it the interest of the reader. Though the introduction of Lee's mother as a principal characters adds a layer of enjoyable anxiety, the narrative as a whole is more traditional as a murder mystery, and thus less successful overall, as it is the unique perspective and setting which makes the first such a success.  The suspension of disbelief is a bit more difficult, as it's impossible to imagine travelling for several days in a packed trailer with an undiscovered murder victim in a bathtub, and the rest of the story is just as contrived. The saving grace is the character of Gypsy herself, who can still charm readers into going along for the ride. The second book is definitely second-best, but it's worth a look for a quick beach read.

58.
Title: [Sex Criminals: Vol. 1]
Author: Matt Fraction
Genre: Graphic Novel
Medium: Paperback
Acquisition: Beach Read
Date Completed: June 27, 2016
Rating: ***

The premise of Matt Fraction's Sex Criminals is curious and compelling: a young girl discovers at her sexual awakening that her orgasms stops time for all but her, allowing her variable stretches of experience in what she dubs "the Quiet Place." Faced with grief over the death of her father, and her mother's subsequent withdrawal and alcoholism, the Quiet Place gives Suzie the time and space she needs to heal and come to grips with her life, even as it leaves her feeling extraordinarily isolated and lonely following intimate bodily and emotional connections. Just when se determines that she'll never share this quiet moment with another she meets Jonathan, who has the same ability, albeit with a far more lascivious understanding, and a destructive inclination that leads him to use the time freeze for juvenile delinquency rather than quiet reflection and self-discovery. Together, they decide to use their intimate powers for both harm and good: robbing banks to raise the money to keep Suzie's library out of foreclosure.

For a book that uses sex as its narrative vehicle, Sex Criminals is not itself pornographic, keeping far from Alan Moore's level of sexual revelation, and playing the sex shop for gags rather than titillation. The artwork itself is oddly sweet and cartoonish, setting the tone of the book as approachable and well=meaning, with none of the grit and hard lines of, say, caped comics. However, the introduction of the sex police derail the story, adding an unnecessary layer of conflict and distracting fro the stories already put into motion. This, and the abrupt conclusion of the first volume, keep the book from being a full success, and ultimately will prevent me from seeking the next volume.

53.
Title: [Amazing X-Men: The Quest for Nightcrawler]
Author: Jason Aaron
Genre: Comic
Medium: paperback
Acquisition: Comic shop suggestion
Date Completed: June 17, 2016
Rating: ***

Like the last X-Men book on my list, The Quest for Nightcrawler is a shop-employee suggestion. In this first volume of Amazing X-Men, strange creatures begin appearing around the school, leading to a portal which suddenly transports a number of X-Men to heaven and hell, where they meet Azazel and a band of demonic pirates on a quest to collect souls and overthrow the afterlife.  Nightcrawler, himself deceased and pining for adventure despite his secure place in heaven, leads his former comrades in the fray against his father, literally captaining a hell-ship and defeating the empowered souls of notorious sinners such as Jack the Ripper.  At first, the entire plot device smacked of barely-palatable shark jumping, but as the book developed Nightcrawler as a conflicted and nuanced character, and brought the X-Men back from the afterlife to the present reality, it became far more compelling, and holds a promise of something interesting to come. Though a bit clumsy as a whole, the narrative reigns itself in successfully, and delivers appealing artwork to help fans through the rough patches.


54.
Title: [Batman: The Court of Owls]
Author: Scott Snyder
Genre: Comic
Medium: paperback
Acquisition:
Date Completed: June , 2016
Rating: ****

Batman: The Court of Owls is a dark and thrilling ride through a Gotham both familiar and not, taking well-known characters and complicating them in ways the series has failed to do in the past. A Gotham-known nursery rhyme speaks of a "Court of Owls," a shadowy cabal which controls the city. Having unsuccessfully searched for the court as a child, Batman dismisses the possibility of their existence, even after Bruce Wayne receives threats, and a subsequent assassination attempt, from the death-dealer of the Owls. As the plot unfolds, Batman realizes that he may not know the city quite as well as he thought, and his assertion that the city is "his" is soundly challenged.

One of the great appeals of Batman over supernatural superheroes is his fallibility - the very real possibility that he can fail, physically and intellectually, because he is human - and this first New 52 volume takes full advantage of his undeniable humanity. His struggles with the Court of Owls push him to the very brink psychologically, challenging the hero in ways far more poignant and compelling than brute and brawn. The book is well-paced and carefully developed, and much of the artwork is breathtaking, textured, and dark.  This book is a real winner.

49.
Title: [Batman: Year One]
Author: Frank Miller and David Mazzucchelli
Genre: Comics
Medium: Paperback
Acquisition: Purchased
Date Completed: 28 May 2016
Rating: ****

According to the introduction of Batman: Year One, DC Comics decides to revamp their bi names in the 1980s, afraid that the characters had grown stale. Denny O'Neil writes that Wonderwoman and Superman needed new stories, "but Batman was a problem. He was fine just as he was." Thus, the "editors decided, Batman's origin should not be changed. It could be given depth, complexity, a wider context." This is precisely what Frank Miller aims to do in Year One, originally published in 1986, and offering an origins story that fixes Gotham in the cultural imagination, and broadens the task of origin narration to include other significant characters. I haven't yet made it to my omnibus to see how much of, say, Gordon's story is original to Miller, but the book as a whole is dedicated to a consistent level of struggle and searching, looking forward to the characters so well known today.  Jim Gordon is transferred to Gotham after past failures, bringing along a newly-pregnant wife and a deep-seated repulsion for his newly assigned city; Bruce Wayne returns from twelve years in Europe, perfectly charming and confident, but in secret plagued with a sense of inadequacy that drives him to work harder and harder. Selina Kyle watches from the shadows before developing her own alternative identity, and pits herself in a contest of reputations with the mysterious Bat.

Batman: Year One does exactly what it promises, returning to the real origins of Batman - not the murder of the Waynes, but when Bruce Wayne seeks out an alternative identity through which to exercise his manic desire for revenge and street justice. What Batman No. 1 does in approximately nine frames Frank Miller details in ninety-six pages of thoughtful development.  Bruce Wayne, though wealthy and physically practiced, is uncertain of his means, and blunders in his first days on the street, making mistakes and earning scars - and a nasty official reputation.  Gordon, too, has his flaws, not quite the boyscout he is in my head, but with a sense of right stronger than a sense of self-preservation.  Selina Kyle isn't given quite the same attention, to my dismay, but it's not her book.  Though I found the clipped and awkward narrative jarring and pedestrian, the story itself was well paced, and the visual narrative more than made up for the staccato writing.  This is the Batman I've known all my life (I'm only a year older), and it was a pleasure to go back and see where he came from.

44.
Title: [American Vampire]
Author: Scott Snyder, Rafael Albuquerque, and Stephen King
Genre: Comic
Medium: Paperback
Acquisition:
Date Completed: 12 May 2016
Rating: ***1/2

American Vampire is a fantasy of the Old West and silent film Hollywood, each dominated by tyrannical Old World vampires who own banks and studios, and treat humans ("humes." Yes, actually) as the cattle they are so often read to be within the genre.  The Old West sees the birth of Skinner Sweet, whose backstory is penned by Stephen King, and a new, distinctly American race of vampires. Skinner Sweet is no hero - his actions are fairly repugnant, and stereotypically outlaw: theft, rape, and countless murders, including the shooting of a toddler. When he gets into a physical altercation with a vampire whom his gang has robbed a drop of blood gives him new life, and the reader again meets him in 1920s California, acting the same sweets-guzzling creeper that he is in the late nineteenth-century.

While the characters are fairly stock, they're very well-executed, and Skinner Sweet has a ghastly charm that holds attention even as the reader understands that he has no redeeming qualities. Whatsoever. Truly.  Pearl shows promise, although she's given little room to be "new," and could develop into something wonderful if given half a chance. The story itself is likewise trite, but not so wooden that it wears thing, more like a familiar and comfortable sweater than a sodden mess, blending genres in a way that firmly grounds the story geographically and culturally, and leaning heavily on beautiful artwork to pull the book through.

Stephen King's introduction nearly ruins the experience before it begins.  He opens by saying, "Here's what vampires shouldn't be: pallid detectives who drink Bloody Marys and only work at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes. What should they be? Killers, honey. Stone killers who never get enough of that tasty Type-A. Bad boys, and girls. Hunters. In other words, Midnight America." In typical King fashion he thus demonstrates his blinder-version of genre and characters, asserting his "rightness" over the "wrongs" of other authors in a brazen display of ignorance. Clearly, King is not a fan of Vampire Diaries, Twilight, Interview With a Vampire, or ... one I haven't heard of. Nor will I say he should be - each have their targeted audience, and readers like King are not among them. What King here asserts is exactly what this books is - an assertive rewriting of an ageless figure against overly aggressive American archetypes. Essentially, King is arguing for a distinctly masculine American vampire - a violent and twisted creature that runs parallel with a culture of physical violence as old as our first war of Independence. Vampires begin as sexual creatures, which then evolves into romance - their true origins are as spectral figures raping dreamers and strangling children. In their Victorian hey-day they are feared for their sensuality and sexuality more than their physical violence; they are consumptive figures standing in for the tuberculosis that becomes an epidemic in the nineteenth-century, stealing away beautiful young women and supporting the romantic cult of mourning and death in Victorian England.  They are representatives of deviance and inversion - feared for social transgressions rather than outright slaughter. Historically, and personal taste aside, Edward Cullen's theft of Bella is more historically grounded than Skinner Sweet's murderous rampages.  But American horror generally doesn't go for subtlety, and the King I've read hasn't ever struck me as slow, creeping horror. For a good, junky, American punch in the gut, King's vampires will do; to suggest what vampires should and shouldn't be is to artificially limit a tradition that has gone on long before, and will thankfully outlast her abusers.

45.
Title: [Wytches]
Author: Scott Snyder, Joch, Hollingsworth, Robins
Genre: Comic
Medium: Paperback
Acquisition:
Date Completed: 13 May 2016
Rating: *****

Pledged is pledged.

Scott Snyder's Wytches is a stunning and horrific graphic novel perfect for a Friday the 13th, or any day one is looking for a creep. Snyder slowly builds a narrative to come back full circle, drawing on pathos and looming shadows to engage readers as they follow Sailor, and the difficult times she's had. Sailor is an adored only child, and when she is involved in a traumatic incident her family decides to move, hoping a fresh start will give her the peace she needs to recover.  In a typical-but-still-enjoyable fashion the new house proves to be less of a fresh start than they believe, and Sailor soon comes face-to-face with a horror story much bigger than she, in which she is enmeshed by the actions of others. It's difficult to be much more clear without ruining the plot, which I certainly don't wish to do - the build and resolution are much better with a veil of uncertainty. I will say that the story is well-paced and fantastically executed, and the dark, sketchy artwork adds perfectly to the tension and the horror.  A sure hit for horror fans - I'll even agree with King on this one, as he says on the cover "It's fabulous. A triumph."


46.
Title: [Coffin Hill] Volume 1: Forest of the Night
Author: Caitlin Kittredge
Genre: Comic
Medium: Paperback
Acquisition:
Date Completed: 13 May 2016
Rating: ***1/2

Moving back and forth through time in a series of exposes, Caitlin Kittredge's first volume of Coffin Hill tells the story of Eve Coffin, the youngest in a line of wealthy witches dating back to Salem. Notoriously selfish, and not balking at evil, Coffin women (Coffin Witches) unapologetically pursue black magic, and when Eve "rebels" she goes straight to the family tradition, leading to a catastrophe that builds for a decade.  Eve is a compelling protagonist, deeply flawed but essentially good, with a hand in both worlds that allows her to function in a series of supernatural conflicts. There is a strong suggestion that there is far more to the story than the first volume relates, establishing enjoyable tension and a drive to the second volume. The epilogue seemingly confuses its own genealogy, which is unfortunate, but Eve's narrative itself is compelling. Though less of a thrill than Snyder's Wytches, it's an enjoyable book with a well-paced narrative and attractive art.