47.
Title: [Out]
Author: Natsuo Kirino
Genre: Fiction
Medium: Paperback
Acquisition: Library Book
Pages Read: 150
Reason Abandoned:  Lifeless characters, and a general sense of drudgery. 

48.
Title: [Logicomix: An Epic Search for Truth]
Author: Apostolos Doxiadis and Christos H. Papadimitriou
Genre: Graphic Nonfiction
Medium: Paperback
Acquisition: Library Book
Pages Read: 151
Reason Abandoned: Greater responsibilities.  Logicomix, a graphic account of the life of Bertrand Russell and the "search for absolute truth," has great promise.  The art is well-suited to the subject, and the authors carefully balance reader expectations to provide significant information and necessary explanations, while respecting a general sense of intelligence.  This is of the sort of graphic text to which I gravitate, and I hope to return to it once my summer classes have completed.  But for now it must go back to the library. 

49.
Title: [Call the Midwife: Farewell to the East End]
Author: Jennifer Worth
Genre: Memoir
Medium: Paperback
Acquisition: Library Book
Date Completed: June 17, 2014
Rating: ***

This text marks the end of memoir and the beginning of fiction, as far as the PBS show is concerned.  What I appreciate most about this volume is the finality it provides - here, Worth not only tells of her patients, but of the future lives of the nuns, Trixie, Chummy, and the rest.  This kind of resolution is often unavailable for memoirs, and is all the more satisfactory for it.  If for nothing else, I'd recommend this book for just those ends. 

50.
Title: [Zine]
Author: Pagan Kennedy
Genre: Memoir
Medium: Paperback
Acquisition: Early Review
Date Completed: June 20, 2014
Rating: **

You had to be there, I think.  To a reader greatly removed from the culture which first inspires Pagan Kennedy's 'zine, and suffering from the blog over-saturation which can be attributed to this kind of self-publishing, the text seems shallow.  The reprint includes the original introduction, in which Kennedy cites a few years of "growing up" and growing away from her 'zine, which of course leads her to publish a response and a collection.  As an artifact, it is interesting - I've known of the phenomenon, but only ever witnessed the tail-end, so I did appreciate the opportunity to see the reproductions of one such self-publication.  The content, however, held no interest, and it became a great chore to wade through the original publications to get to her later responses and self evaluations.  Kennedy's memoir is interesting, but I'd far prefer her current reflections than her past work.

All of that being said, I think this would be a wonderful text for someone more invested in this particular cultural movement, the history of social texts, or the recent history of self-publishing.  

51.
Title: [The Dark is Rising]
Author: Susan Cooper
Genre: YA Fantasy
Medium: Paperback
Acquisition: Library Book
Pages Read: 100


52.
Title: [The Private Letters of Countess Erzsébet Báthory]
Author: Kimberly L. Craft
Genre: Nonfiction/History
Medium: Paperback
Acquisition: Purchased
Date Completed: June 15, 2014
Rating: **

Craft herself, in her introduction, states that this collection of letters is intended to serve as a supplement to her text Infamous Lady.  For those, like myself, who have not read her book, Craft provides a brief synopsis, and then jumps into the translated letters of Countess Báthory. I purchased the book in the interest of gaining insight into a feared historical figure, but with no preconceived notions - I was not looking for a gory confession, but had an inkling that a sympathetic scholar may try to salvage her reputation in some way.  The body of material Craft has to work with is distressingly small, which is no fault to her - most of Countess Báthory's letters have been lost or destroyed, so the body of evidence is slim. 

Ultimately, though, this volume is less a text of Báthory's, and more a text of Craft's; the points of interpretations and analysis suffocate the letters, and casts shadows of doubt on the translations themselves.  The text does not well represent Báthory's voice, but rather uses the voice Craft has constructed for the historical figure.  Craft's presence in the text detracts from the interest, and ultimately the book fails to be truly a collection of private letters, and is instead another analysis of Countess Erzsébet Báthory.