108.
Title: [Reaper Man]
Author: Terry Pratchett
Genre: Satiric Fantasy
Medium: Paperback
Acquisition: Purchased
Date Completed: December 29, 2016
Rating: ****

The character of Death in Terry Pratchett's Discworld is a fan-favorite, just outside of human existence enough to ask probing existential questions, just robotic enough to be interestingly uncanny, yet familiar and human enough to garner sympathy and interest. Death is not something (or someone) to fear, but a force (and personality) that is simply there, no matter what. Reaper Man is the book in which this personality is most fully developed for the first time, building on his last appearance as a master taking an apprentice, and focusing on Death as a primary character.

Concerned about his force of personality - the fact that he is a he at all - the Auditors of the universe decide to force Death's retirement, introducing his own life timer, and sending Discworld into undead disarray. With time on his hands for the first, well, time, Death rides off to experience life, settling in as a farm hand while trying to work out this whole existence thing. Meanwhile, the rest of Discworld is noticing a stasis of life, with people and things dying ... but not going anywhere. Such is the case with Windle Poons, a wizard who achieves 130 years and dies on appointment, only to get up a bit later when the afterlife isn't quite what he expected. After all, there's nothing there, and for the first time in awhile he has the force of will to walk and talk.

Under the care of Archchancellor Ridcully, the wizards are far more endearing and entertaining, a first look at the undead offers a good chuckle to fans of horror, and the true character of Death shines.

The book puts me in mind of another piece of Pratchett's writing: his 2010 essay My Case for a Euthanasia Tribunal. I used this in the college classroom to teach rhetoric, which Pratchett uses beautifully, but I also enjoy his writing for the thing itself. It also speaks to how and why Pratchett creates his Death character as he does.

Back to write reviews, because the holiday is over and now I can.

104.
Title: [Moving Pictures]
Author: Terry Pratchett
Genre: Satiric Fantasy
Medium: Paperback
Acquisition: Purchased
Date Completed: December 18, 2016
Rating: ****

Moving Pictures is the first in the "industry" sub-genre of Discworld, and satirizes the rise and fall of a HollywoodHoly Wood
empire.  The Alchemists have learned how to turn light, not lead, into gold, and set out into the desert, away from the oppressive gaze of Wizards who may call it magic, to do just that.  Around the Discworld others feel the pull and draw of Holy Wood, and set out to fill their niches.  What none realize, however, is that the untimely death of a hermit priest, who never found time to train a successor, has released an unusual magic into the social sphere, and its this menacing force which is luring people out and into a world of fantasy.
The sarcasm and satire of Moving Pictures carries a narrative of forgettable characters, and serves as a solid stand-alone book for those who enjoy old Hollywood, and Pratchett's brand of snark.


105.
Title: [The Reptile Room]
Author: Lemony Snicket
Genre: Children's
Medium: Kindle
Acquisition: Library
Date Completed: 12.19.16
Rating: ****

After the discovery of Count Olaf's nefarious theatrical plans, the orphans are withdrawn from the proffered peace of a life with the Judge, and instead taken out into the countryside to another very distant and hitherto unknown relative.  They are relieved to find that this relative is rather well suited to their emotional and intellectual care, as a portly scientist who is rather fond of movies. Violet, Klaus, and Sunny feel almost guilty in their relief and happiness, and look forward to the expedition on which they are scheduled to depart with their cheerful new guardian.

That is, until the new assistant arrives.

The second installment of Unfortunate Events is perhaps even more charming than the first. Reading much like a short story to an adult audience, the pacing is strong, the narrative voice is compelling, and the predictability contributes rather than detracts from the story's overall success.

106.
Title: [Hyperbole and a Half]
Author: Allie Brosh
Genre: Graphic Memoirs
Medium: Paperback
Acquisition: Library
Date Completed: 12.20.16
Rating: ****

Even readers who are unfamiliar with likely know the work of Allie Brosh, if only for the saturation of meme culture and the use of her "All the Things." 

The Original:


And homages/appropriations:
 

Brosh's book is a collection of short essays and narratives, most (if not all? I'm not entirely sure) available on her blog, but perhaps more satisfying in physical textual form for reasons only my nerdy-lizard-hind brain understands. Her self-awareness and self-deprecation serve as both a point of sympathy and understanding for the reader, and as a defense mechanism for the author, and the end product is a collection of narratives which turns discomfort into something ultimately positive.  No knowledge of her blog is necessary to enjoy Brosh's writing, and it may make an interesting segue into the world of graphic texts/memoirs for those who are not traditionally fans of the genre.

107.
Title: [A Christmas Carol]
Author: Charles Dickens
Genre: Ghost Story
Medium: Hardback
Acquisition:
Date Completed: 12.22.16
Rating: *****

In deference to long nights, foreboding weather, and a general desire to cozy up to their fellows, the Victorians enjoyed a publication tradition perhaps a bit unusual today, but one which I would love to see revived: they marketed ghost stories for Christmas.  Literary magazines would publish special "extra" editions in December, and featured both serialized and whole works of fiction of the gothic or horrific bent, like Robert Louis Stevenson's "The Body Snatcher," published in December of 1884. The popularity of the macabre is a well-known nineteenth-century cultural institution, and as they invented Christmas as we largely understand the celebration today the Victorians maintained their investment in the cult of mourning, the macabre, and a hyper-awareness of the tenuous nature of life.

Charles Dickens' short novel A Christmas Carol is a fantastically constructed cultural capsule, delightful in its prose, familiar in its story, and charming in its narrative. It is the Christmas Victoriana known and assumed today, and while Victoriana is itself far more complicated than this, one could do worse than Scrooge, ghosts, and a Dickensian Christmas.  I attempt to read the book every December, and it's no laborious task - and I'm not one who generally enjoys Dickens.

103.
Title: [A Series of Unfortunate Events: The Bad Beginning]
Author: Lemony Snicket
Genre: Children's
Medium: Kindle
Acquisition: Library
Date Completed: 12.12.16
Rating: ****

The Baudelaire children, Violet (14), Klaus (12), and Sunny, are privileged, intelligent, and loyal figures who are very quickly orphaned by a catastrophic fire, and whisked off to live with a previously-unknown relative, Count Olaf. Olaf, of course, has eyes only for their fortune, and begins some dreadful scheming as soon as the bank solicitor Mr. Poe informs him that no one can tough the fortune until Violet is of age. Intended for early readers, the plot of this novel is quick and simple, without being simplistic - Lemony Snicket does not make the mistake of underestimating his readers, and instead shows that he believes children can handle unsavory narratives and new vocabulary with just a little help. The story is built on themes such as sibling bonding, research, self-sufficiency, and the absolutely ludicrous culture of adulthood which favors strange legalities over happy endings.  I will certainly suggest this one to my own offspring, and will seek out the second for myself.

102.
Title: [The Girl With All the Gifts]
Author: M.R. Carey
Genre: science fiction
Medium: hardback
Acquisition: Library
Date Completed: Gave up after 250 pages
Rating: **

Released as a film in September of 2016, Carey's The Girl With All the Gifts seemed to be a fresh take on the dystopian zombie genre, offering fresh ideas and dynamic characters in a thoroughly saturated market. The protagonist is Melanie, a young girl with no memories other than the compound in which she lives, and understanding the world outside only through the lessons she and her fellow children receive from a handful of questionably-qualified instructors. As the novel progresses, or if the audience has already seen the trailer, it becomes clear that Melanie is actually a zombie child, and that the facility is testing zombie children who retain some semblance of mental prowess in order to distill an antidote, or vaccine.  The strength of Carey's novel is in Melanie herself, whose complexity is balanced with her naturally childlike innocence and demeanor - here is a zombie one would want to shelter and protect, whose IQ is higher than most of the living adults around her. She's fascinating, and not just to the likely-psychopathic Dr. Caldwell who has collected these zombie children as test subjects to be dissected and discarded.

And after 250 pages I just couldn't push through any further.  I really wanted to like this book - it holds such promise. Ultimately, though, I found the secondary characters to be wooden, the plot plodding, and the push for differentiating too ludicrous.  Take, for example, the vocabulary of this dystopian world: zombies are called hungries.  Hungries.  Because the obvious "zombies" is too ... banal? And "hungries" is so much more ... I have no idea. It's a juvenile departure from canon that disrupts the attempts at scientific and humanistic approach, suggesting a sophomoric and nearly hispter approach that is unnecessary for the progress of the text. The characters are trite to the point of exhaustion, and after so long I just couldn't care any longer. While I would love to know what happens to Melanie, I just couldn't invest any more time in the book.


A point of curiosity from the film preview: they've swapped races. Melanie, blonde-haired and blue-eyed in the novel, is played by Sennia Nanua; Helen Justineau, described as an overwhelmingly beautiful woman of African descent in the novel, is portrayed by Gemma Arterton. While I'm inclined to posit theories and offer cultural analysis, I'm resisting the temptation without seeing the film. Still, it seems like a potentially charged decision to change the race of the captive, dangerous, at-times bestial zombie, held in captivity by militant white figures.

101.
Title: [Eric]
Author: Terry Pratchett
Genre: Satiric Fantasy
Medium: Paperback
Acquisition: Purchased
Date Completed: December 10, 2016
Rating: **

The most favorable feature of this books is its length, coming in at just 197 pages and utilizing a larger-than-usual font. A young demonologist tries to call a hell-bound slave to satisfy his three wishes, and in a plot twist never believably developed ends up with the lamentable Rincewind instead. Rincewind is a coward, dislikes the current situation, and tries to run. The end.

100.
Title: [Guards! Guards!]
Author: Terry Pratchett
Genre: Satiric Fantasy
Medium: Kindle
Acquisition: Purchased
Date Completed: December 7, 2016
Rating: *****

Some of the most memorable characters in AnkhMorpork are on the Watch, and this is the first novel which introduces them to readers. Sam Vimes is the mostly-drunk Captain of the Night Watch, whose primary function is to yell "all is well!," and who quickly run the other way when it isn't. Vimes, though, possesses an ingrained sense of "right" which is at war with his drunken lethargy, inspired by the cruel mistress that is the city he loves, and which is ultimately brought to the forefront by an enthusiastic new recruit, Carrot, and the Patrician's assurance that the (extinct/imaginary) dragon Vimes claims to have seen could only be a large wading bird.  And that's the tip of the iceberg.

As Vimes attempts to unravel the mystery of the dragon, readers follow the actions of secret societies, watch a developing monarchy, and meet Sybil Ruskin, the posh warrior-esque woman who raises small swamp dragons. Full of wit and satire, and driven by strong characters, Guards! Guards! is a particularly enjoyable Discworld novel, and a clear favorite for fans.